The A to Z of Kierkegaard's Philosophy provides a contextual introduction to Kierkegaard's 19th century world of Copenhagen, a chronology of events and key figures in his life, as well as definitions of the key systems of his thought-theology, existentialism, literature, and psychology. The extensive bibliographical section covers secondary literature and electronic materials of help to researchers. The appendix includes detailed information on his writings, along with a list of his pseudonyms. This book is useful not only as a guide for experienced scholars, but also as an introduction to new students of Kierkegaard's Philosophy.

Many of Søren Kierkegaard's most controversial and influential ideas are more relevant than ever to contemporary debates on ethics, philosophy of religion and selfhood. Kierkegaard develops an original argument according to which wholeheartedness requires both moral and religious commitment. In this book, Roe Fremstedal provides a compelling reconstruction of how Kierkegaard develops wholeheartedness in the context of his views on moral psychology, meta-ethics and the ethics of religious belief. He shows that Kierkegaard's influential account of despair, selfhood, ethics and religion belongs to a larger intellectual context in which German philosophers such as Kant and Fichte play crucial roles. Moreover, Fremstedal makes a solid case for the controversial claim that religion supports ethics, instead of contradicting it. His book offers a novel and comprehensive reading of Kierkegaard, drawing on important sources that are little known.

Søren Kierkegaard is often cast as the forefather of existentialism and an anti-Hegelian proponent of the single individual. Yet this book calls these traditional characterizations into question by arguing that Kierkegaard offers not only a systematic critique of idealist philosophy, but more surprisingly, a political ontology that is paradoxically at home in the context of twenty-first-century philosophical and political thought. Through a close consideration of his authorship in the context of nineteenth-century German idealism, Michael O'Neill Burns argues that Kierkegaard develops an ontology, anthropology and theory of the political that are outcomes of his critical appropriation of the philosophical projects of Hegel, Schelling, and Fichte. While starting out in the philosophical concerns of the nineteenth century, the book offers an interpretation of Kierkegaard that shows his relevance to philosophers and political theorists in the twenty-first century.

In this work, Sullivan analyzes the relationship between faith and reason in Kierkegaard's philosophy. Kierkegaard is widely considered to be an irrationalist. Sullivan argues that he views faith as reasonable in a distinct way that must be uncovered. In some of his pseudonymous works, Kierkegaard speaks of the movement of faith as paradoxical and absurd. There is evidence from his non-pseudonymous works that Kierkgaard does not consider faith irrational. He denigrates reason only in that he wishes to impress upon nominal Christians (who look upon faith only as a body of doctrine) that more and more understanding of the tenets of faith can never yield logical certainty. The doctrines of faith can be argued pro and contra. For Kierkgaard, faith in this context is illogical, but not irrational. In his religious works, Kierkgaard's notion of reason is inextricably tied in with that of his recalcitrance of the will. Reason (logic and speculative thought) attests to its own limits in regard to doctrinal faith, but it also can point to that which is a reasonable step, even when logic alone is of no avail. For Kierkgaard, subjectivity is a necessary - but not sufficient - condition of religious faith. In actuality, Kierkgaard is not presenting an epistemological theory at all, but through his pseudonymous authors' emphasis upon subjectivity he hopes that nominal Christians will begin to experience the need for Christ. Kierkgaard believes that only if inauthentic Christians realize that the religious option cannot be decided by logical inquiry into the doctrines of faith, and then experience their own inauthenticity and the futility of any unaided willful efforts to remedy it, will the act of faith in Christ as a viable alternative appear as reasonable.

"The day will come when not only my writings, but precisely my life--the intriguing secret of all the machinery--will be studied and studied." Søren Kierkegaard's remarkable combination of genius and peculiarity made this a fair if arrogant prediction. But Kierkegaard's life has been notoriously hard to study, so complex was the web of fact and fiction in his work. Joakim Garff's biography of Kierkegaard is thus a landmark achievement. A seamless blend of history, philosophy, and psychological insight, all conveyed with novelistic verve, this is the most comprehensive and penetrating account yet written of the life and works of the enigmatic Dane who changed the course of intellectual history. Garff portrays Kierkegaard not as the all-controlling impresario behind some of the most important works of modern philosophy and religious thought--books credited with founding existentialism and prefiguring postmodernism--but rather as a man whose writings came to control him. Kierkegaard saw himself as a vessel for his writings, a tool in the hand of God, and eventually as a martyr singled out to call for the end of "Christendom." Garff explores the events and relationships that formed Kierkegaard, including his guilt-ridden relationship with his father, his rivalry with his brother, and his famously tortured relationship with his fiancée Regine Olsen. He recreates the squalor and splendor of Golden Age Copenhagen and the intellectual milieu in which Kierkegaard found himself increasingly embattled and mercilessly caricatured. Acclaimed as a major cultural event on its publication in Denmark in 2000, this book, here presented in an exceptionally crisp and elegant translation, will be the definitive account of Kierkegaard's life for years to come.

Who might reasonably be nominated as the funniest philosopher of all time? With this anthology, Thomas Oden provisionally declares Søren Aabye Kierkegaard (1813-1855) -- despite his reputation as the melancholy, despairing Dane -- as, among philosophers, the most amusing. Kierkegaard not only explored comic perception to its depths but also practiced the art of comedy as astutely as any writer of his time. This collection shows how his theory of comedy is integrated into his practice of comic perception, and how both are integral to his entire authorship. "The Humor of Kierkegaard" is for anyone ready to be amused by human follies. Those new to Kierkegaard will discover a dazzling mind worth meeting. Those already familiar with his theory of comedy will be delighted to see it concisely set forth and exemplified. -- From publisher's description.

Kierkegaard's Muse, the first biography of Regine Olsen (1822-1904), the literary inspiration and one-time fiancée of Danish philosopher Søren Kierkegaard, is a moving portrait of a long romantic fever that had momentous literary consequences. Drawing on more than one hundred previously unknown letters by Regine that acclaimed Kierkegaard biographer Joakim Garff discovered by chance, the book tells the story of Kierkegaard and Regine's mysterious relationship more fully and vividly than ever before, shedding new light on her influence on his life and writings. Like Dante's Beatrice, Regine is one of the great muses of literary history. Kierkegaard proposed to her in 1840, but broke off the engagement a year later. After their break, they saw each other strikingly often, inside dimly lit churches, on the streets of Copenhagen, and on the paths along the old city ramparts, passing by without uttering a word. Despite or because of their separation in life, Kierkegaard made Regine his literary life companion, "that single individual" to whom he dedicated all his works. Garff shows how Regine became a poetic presence in the frequent erotic conflicts found throughout Kierkegaard's writings, from the famous "Seducer's Diary" account of their relationship to diary entries made shortly before his death in 1855. In turn, Regine remained preoccupied with Kierkegaard until her own death almost fifty years later, and her newly discovered letters, written to her sister Cornelia, reveal for the first time a woman of flesh and blood. A psychologically acute narrative that is as gripping as a novel, Kierkegaard's Muse is an unforgettable account of a wild, strange, and poignant romance that made an indelible mark on literary history. -- from dust jacket.