Called upon to take a hill at the 1863 Battle of Chickamauga, the untested 22nd Michigan Infantry helped to save General George H. Thomas' right flank. Formed in 1862, the regiment witnessed slavery and encountered runaways in the border state of Kentucky, faced near starvation during the siege of Chattanooga and marched to Atlanta as General Thomas' provost guard. This history explores the 22nd's day-to-day experiences in Kentucky, Tennessee and Georgia. The author describes the challenges faced by volunteer farm boys, shopkeepers, school teachers and lawyers as they faced death, disease and starvation on battlefields and in Confederate prisons.

The American Civil War divided the United States from 1861-1865. During those years, over two million soldiers served in both the Union and Confederate Armies. What is little known is that not only the numerous children, some as young 12, enlisted on both sides, but also women who disguised themselves as men in an attempt to make a difference in the epic struggle to determine the future of the United States of America.

This book depicts the true story of Frederick William Miller and John Armstrong Robison who served the Union in the 96th Illinois Volunteer Infantry Regiment during the Civil War. It follows the time they spent from training at Camp Fuller to being wounded at the battle of Chickamauga. Through their letters and memoirs the two men vividly described the everyday events of a soldier's life, the horrors of battle, the pain and suffering of being wounded, the journey from the battlefield to the hospitals in Nashville, the experience of amputation, and the effects of gangrene on both men. At the Battle of Chickamauga, the 96th, in the front line of Whitaker's Brigade, marched double quick to the aid of General George Thomas. John, as a member of the color guard, was in the very front of their Regiment. Granger's Reserves arrived at Snodgrass Hill just in the nick of time. The "Rock of Chickamauga" was nearly out of ammunition and in desperate need of reinforcements. Whitaker's green troops fought bravely that afternoon and by the end of the battle, no one doubted that they earned the name "Iron Brigade of Chickamauga." The story explodes when both are wounded. The novel, through John's memoirs, tells the story of how the Federal wounded soldiers of Chickamauga traveled from the battlefield in Georgia to the hospitals in Nashville, Tennessee. John told in his own words, the pain and suffering that he and others endured during the week they traveled, many on foot, to Nashville after the battle. Four days after walking over sixty miles to Bridgeport he wrote, "Finally the train was loaded and we started and oh, the jar of that old box car was so great, I had to sit squatted down on my toeslike, and then the pain was so great in my arm that the tears would run from my eyes." The novel also tells the fate of the slightly wounded. These soldiers stayed with their regiments for a week or more before they received proper treatment, which by then, for many was too late. Exemplary of the state of their medical care are Charles E. Belknap's remarks: "In the confusion of the retreat, primary operations could not be performed to the extent desired; thus, many cases of injuries of the knee and ankle joints subsequently proved fatal that might have been saved by timely amputations." Many of these soldiers, like Frederick, died. 213 pages, 8.5 X 11, soft cover, 17 B&W Photos, 40 Drawings, 1Maps, 11Other

The hard-fighting 11th Michigan Volunteer Infantry was recruited from sparsely settled southwest Michigan shortly after the Civil War broke out. Mainly composed of young farmers and tradesmen, the regiment rapidly evolved into one of the Army of the Cumberland's elite combat units, tenaciously fighting its way through some of the war's bloodiest engagements. This book--featuring a complete unit roster--chronicles the regiment through the words of the veterans, tracing their development from a rabble of idealists into a fine-tuned fighting machine that executed successful bayonet charges against superior numbers. The narrative continues into the postwar period, discussing the ex-soldiers' careers through Reconstruction and the Gilded Age. Photographs, maps, illustrations and a statistical analysis round out the work.

Unique individuals of fiery temperament, Ernest Hemingway and Ezra Pound made an odd pair on the streets of 1920s Paris. If the elder cane-carrying Pound appeared the out-of-date poet, Hemingway was the epitome of his generation's Flaming Youth. Meeting on the high ground of art, these two literary giants formed a friendship that survived until Hemingway's death. During their short time together in Paris, Pound edited Hemingway's early work. Over decades Hemingway considered Pound a major poet and read The Cantos as they appeared in little magazines and published volumes. Eventually living in countries half a world apart, Hemingway and Pound maintained a lively and sometimes contentious correspondence. When Pound was incarcerated in America for his World War II broadcasts over Radio Rome, Hemingway played a vital role in freeing his old poet friend--the man who edited his early work, the "good game guy" whose wit and brilliance he never forgot. This narrative of a friendship lays bare the triumphs and tragedies of two giants of modern literature.

As part of the great migration of southern blacks to the north, Sunnie Wilson came to Detroit from South Carolina after graduating from college, and soon became a pillar in the local music industry. He started out as a song and dance performer, but found his niche as a local promoter of boxing and musical acts. Part oral history, memoir, and biography, Toast of the Town draws from hundreds of hours of taped conversations between Sunnie Wilson and John Cohassey, as Wilson reflected on the changes in Detroit over the last sixty years. Supported by extensive research, Wilson's reminiscence is complemented by photographs from his own collection, which capture the spirit of the times. An influential insider's perspective, Toast of the Town fills a void in the documented history of Detroit's black business and entertainment community from the 1920s to the present.