The prestigious and highly anticipated annual anthology of the best poetry from the shortlist of the 2023 Griffin Poetry Prize. Each year, the best books of poetry published in English are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections. Featuring works from shortlisted poets Robyn Creswell, Iman Mersal, Ada Limón, Susan Musgrave, Roger Reeves, and Ocean Vuong.

The prestigious and highly anticipated annual anthology of the best poetry in English from the shortlist of the 2024 Griffin Poetry Prize. Each year, the best books of poetry published in English are honoured with the Griffin Poetry Prize, one of the world’s most prestigious and richest literary awards. Since 2001, this annual prize has tremendously spurred interest in and recognition of poetry, focusing worldwide attention on the formidable talent of poets writing in English and works in translation. Annually, The Griffin Poetry Prize Anthology features the work of the extraordinary poets shortlisted for the awards and introduces us to some of the finest poems in their collections.

Introduces a distinctive voice in Eastern European poetry.

Award-winning Nisga'a poet Jordan Abel's third collection, Injun, is a long poem about racism and the representation of indigenous peoples. Composed of text found in western novels published between 1840 and 1950 - the heyday of pulp publishing and a period of unfettered colonialism in North America - Injun then uses erasure, pastiche, and a focused poetics to create a visually striking response to the western genre. After compiling the online text of 91 of these now public-domain novels into one gargantuan document, Abel used his word processor's "Find" function to search for the word "injun." The 509 results were used as a study in context: How was this word deployed? What surrounded it? What was left over once that word was removed? Abel then cut up the sentences into clusters of three to five words and rearranged them into the long poem that is Injun. The book contains the poem as well as peripheral material that will help the reader to replicate, intuitively, some of the conceptual processes that went into composing the poem. Though it has been phased out of use in our "post-racial" society, the word "injun" is peppered throughout pulp western novels. Injun retraces, defaces, and effaces the use of this word as a colonial and racial marker. While the subject matter of the source text is clearly problematic, the textual explorations in Injun help to destabilize the colonial image of the "Indian" in the source novels, the western genre as a whole, and the Western canon.

Library of Congress copy signed by the author.

The new edition of a prize-winning memoir-in-poems, a meditation on life as a queer Indigenous man—available for the first time in the United States “i am one of those hopeless romantics who wants every blowjob to be transformative.” Billy-Ray Belcourt’s debut poetry collection, This Wound Is a World, is “a prayer against breaking,” writes trans Anishinaabe and Métis poet Gwen Benaway. “By way of an expansive poetic grace, Belcourt merges a soft beauty with the hardness of colonization to shape a love song that dances Indigenous bodies back into being. This book is what we’ve been waiting for.” Part manifesto, part memoir, This Wound Is a World is an invitation to “cut a hole in the sky / to world inside.” Belcourt issues a call to turn to love and sex to understand how Indigenous peoples shoulder their sadness and pain without giving up on the future. His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.” Presented here with several additional poems, this prize-winning collection pursues fresh directions for queer and decolonial theory as it opens uncharted paths for Indigenous poetry in North America. It is theory that sings, poetry that marshals experience in the service of a larger critique of the coloniality of the present and the tyranny of sexual and racial norms.

A modern-day fairy tale told in conversation between a young girl and the mermaid of Lake Michigan. The Lake Michigan Mermaidis a new tale that feels familiar. The breeze off the lake, the sand underfoot, the supreme sadness of being young and not in control—these sensations come rushing back page by page, bringing to life an ancient myth of coming of age in a troubled world. Freed from the minds of Linda Nemec Foster and Anne-Marie Oomen, the Lake Michigan mermaid serves as a voice of reason for when we’re caught in the riptide. This is a gripping tale in poems of a young girl’s desperate search for guidance in a world turned upside down by family and economic upheaval. Raised in a ramshackle cottage on the shores of Lake Michigan, Lykretia takes refuge in her beloved lake in the face of her grandmother’s illness and her mother’s eager attempts to sell their home following her recent divorce. One day Lykretia spots a creature in the water, something beautiful and inexplicable. Is it the mythical Lake Michigan mermaid, or an embodiment of the stories her grandmother told as dementia ravaged her mind? Thus begins a telepathic conversation between a lost young girl and Phyliadellacia, the mermaid who saves her in more ways than one. Accompanied by haunting illustrations, The Lake Michigan Mermaid offers a tender tale of friendship, redemption, and the life-giving power of water. As it explores family relationships and generational bonds, this book is an unforgettable experience that aims to connect readers of all ages.