At the outset of the Great Depression, as FDR campaigned to replace Herbert Hoover, a baseball season was played across America. In the National League, the Chicago Cubs narrowly won the pennant thanks to the likes of Gabby Hartnett, Charlie Grimm, Billy Herman, Riggs Stephenson, Kiki Cuyler, Johnny Moore, Lon Warneke, and Guy Bush. In the American League, former Cub manager Joe McCarthy's New York Yankees ran away with the pennant, leaving Connie Mack's Philadelphia Athletics in the dust. Babe Ruth, Lou Gehrig, Bill Dickey, Earle Combs, Tony Lazzeri, Ben Chapman, Frankie Crosetti, Joe Sewell, Lefty Gomez, Red Ruffing, George Pipgras, and Johnny Allen led the way to one of the winningest teams in the early American League, overshadowed only by the 1927 Yankees. Chicago and New York then clashed in one of the most lop-sided and talked-about World Series in baseball history.

In the summer of 1932, at the beginning of the turbulent decade that would remake America, baseball fans were treated to one of the most thrilling seasons in the history of the sport. As the nation drifted deeper into the Great Depression and reeled from social unrest, baseball was a diversion for a troubled country—and yet the world of baseball was marked by the same edginess that pervaded the national scene. On-the-field fights were as common as double plays. Amid the National League pennant race, Cubs’ shortstop Billy Jurges was shot by showgirl Violet Popovich in a Chicago hotel room. When the regular season ended, the Cubs and Yankees clashed in what would be Babe Ruth’s last appearance in the fall classic. After the Cubs lost the first two games in New York, the series resumed in Chicago at Wrigley Field, with Democratic presidential candidate Franklin Roosevelt cheering for the visiting Yankees from the box seats behind the Yankees’ dugout. In the top of the fifth inning the game took a historic turn. As Ruth was jeered mercilessly by Cubs players and fans, he gestured toward the outfield and then blasted a long home run. After Ruth circled the bases, Roosevelt exclaimed, “Unbelievable!” Ruth’s homer set off one of baseball’s longest-running and most intense debates: did Ruth, in fact, call his famous home run? Rich with historical context and detail, The Called Shot dramatizes the excitement of a baseball season during one of America’s most chaotic summers.

With thirty-eight pennants and twenty-six World Series victories, the Yankees aren’t just the most successful baseball team of all time, they’re the most successful franchise in the history of sports. InBombers, you’ll find stories about all the Yankees legends, including DiMaggio, Mantle, Maris, Martin, Jeter, and Williams. Yankees fans will love Bombers, but this is a book for all baseball fans, one that illuminates baseball history the way it happened on the field, in the stands, and in the hearts of players and fans.

The definitive story of one of the greatest dynasties in baseball history, Joe Torre's New York Yankees. When Joe Torre took over as manager of the Yankees in 1996, they had not won a World Series title in eighteen years. In that time seventeen others had tried to take the helm of America’s most famous baseball team. Each one was fired by George Steinbrenner. After twelve triumphant seasons—with twelve straight playoff appearances, six pennants, and four World Series titles—Torre left the Yankees as the most beloved manager in baseball. But dealing with players like Jason Giambi, A-Rod, Derek Jeter, Mariano Rivera, Roger Clemens, and Randy Johnson is what managing is all about. Here, for the first time, Joe Torre and Tom Verducci take readers inside the dugout, the clubhouse, and the front office, showing what it took to keep the Yankees on top of the baseball world.

The lost memoir from Lou Gehrig—“a compelling rumination by a baseball icon and a tragic hero” (Sports Illustrated) and “a fitting tribute to an inspiring baseball legend” (Publishers Weekly). At the tender age of twenty-four, Lou Gehrig decided to tell the remarkable story of his life and career. He was one of the most famous athletes in the country, in the midst of a record-breaking season with the legendary 1927 World Series–winning Yankees. In an effort to grow Lou’s star, pioneering sports agent Christy Walsh arranged for Lou’s tale of baseball greatness to syndicate in newspapers across the country. Those columns were largely forgotten and lost to history—until now. Lou comes alive in this “must-read” (Tyler Kepner, The New York Times) memoir. It is an inspiring, heartfelt rags-to-riches tale about a poor kid from New York who became one of the most revered baseball players of all time. Fourteen years after his account, Lou would tragically die from ALS, a neuromuscular disorder now known as Lou Gherig’s Disease. His poignant autobiography is followed by an insightful biographical essay by historian Alan D. Gaff. Here is Lou—Hall of Famer, All Star, MVP, an “athlete who epitomized the American dream” (Christian Science Monitor)—back at bat.

"I CONSIDER MYSELF THE LUCKIEST MAN ON THE FACE OF THE EARTH." On July 4, 1939, baseball great Lou Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium and gave a speech that included the phrase that would become legendary. He died two years later and his fiery widow, Eleanor, wanted nothing more than to keep his memory alive. With her forceful will, she and the irascible producer Samuel Goldwyn quickly agreed to make a film based on Gehrig's life, The Pride of the Yankees. Goldwyn didn't understand -- or care about -- baseball. For him this film was the emotional story of a quiet, modest hero who married a spirited woman who was the love of his life, and, after a storied career, gave a short speech that transformed his legacy. With the world at war and soldiers dying on foreign soil, it was the kind of movie America needed. Using original scrips, letters, memos, and other rare documents, Richard Sandomir tells the behind-the-scenes story of how a classic was born. There was the so-called Scarlett O'Hara-like search to find the actor to play Gehrig; the stunning revelations Elanor made to the scriptwriter Paul Gallico about her life with Lou; the intensive training Cooper underwent to learn how to catch, throw, and hit a baseball for the first time; and the story of two now-legendary Hollywood actors in Gary Cooper and Teresa Wright whose nuanced performances endowed the Gehrigs with upstanding dignity and cemented the baseball icon's legend. Sandomir writes with great insight and aplomb, painting a fascinating portrait of a bygone Hollywood era, a mourning widow with a dream, and the shadow a legend cast on one of the greatest sports films of all time.