“A lyrical, at times mysterious, and dreamy tale of family ties . . . An intriguing, modern take on a classic American landscape” (Kirkus Reviews). At once intimate and sweeping, Bottomland follows the Hess family in the years after World War I, as they attempt to rid themselves of the anti-German sentiment that left a stain on their name. But when the youngest two daughters vanish in the middle of the night, the family must piece together what happened while struggling to maintain their life on the unforgiving Iowa plains. In the weeks after Esther and Myrle’s disappearance, their siblings desperately search for them, through the stark farmlands to the unfamiliar world of far-off Chicago. Have the girls run away to another farm? Have they gone to the city to seek a new life? Or were they abducted? Ostracized and misunderstood in their small town in the wake of the war, the Hesses fear the worst. From the acclaimed author of The Quickening, “Bottomland is more than a literary mystery. It’s a trance, a poem, a lamentation, a benediction. And it’s breathtaking. As in: remind yourself to breathe” (Rebecca Makkai, author of The Great Believers). “Hoover skillfully interweaves many of the Hess family members’ narratives. Her descriptions of the bleak rural landscape are chilling. Fans of Jim Harrison’s Legends of the Fall will enjoy the plot; Willa Cather enthusiasts will relish the setting; and Theodore Dreiser readers will savor the gritty characterizations.” —Library Journal (starred review) “There are many compelling things about Michelle Hoover’s potent new novel, Bottomland, not least of all her austere style and its visceral punch.” —The Boston Globe

"Explores immigrants' experiences at Ellis Island through the use of primary sources"--

Features photographs of women motorcyclists.

This revised edition is updated with nearly 30 vintage images, as well as new chapters on personal hygiene, cosmetics, clothing manufacture, laundry, and the dating of vintage photographs, along with updated prices. -- Publisher's blurb.

The author focuses on the marketing perspective of the topic and illustrates how women's roles in society have shifted during the past century. Among the key issues explored is a peculiar dichotomy of American advertising that served as a conservative reflection of society and, at the same time, became an underlying force of progressive social change. The study shows how advertisers of housekeeping products perpetuated the Happy Homemaker stereytype while tobacco and cosmetics marketers dismantled women's stereotypes to create an entirely new type of consumer.

A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement