'Enlightening ... Funny, smart, original and provocative ... It is hard to imagine the stalwarts of Mock the Week recognising the Druze militia leader Walid Jumblatt in a London cinema' NEW STATESMAN 'Few standups have come close to capturing a fraction of this creative energy in a book ... Alexei Sayle is an exception' GUARDIAN "What I brought to comedy was an authentic working-class voice plus a threat of genuine violence - nobody in Monty Python looked like a hard case who'd kick your head in." In 1971, comedians on the working men's club circuit imagined that they would be free to continue telling their tired, racist, misogynistic gags forever. But their nemesis, a nineteen-year-old Marxist art student, was slowly coming to meet them... Thatcher Stole My Trousers chronicles a time when comedy and politics united in electrifying ways. Recounting the founding of the Comedy Store, the Comic Strip and the Young Ones, and Alexei's friendships with the comedians who – like him – would soon become household names, this is a unique and beguiling blend of social history and memoir. Fascinating, funny, angry and entertaining, it is a story of class and comedy, politics and love, fast cars and why it's difficult to foul a dwarf in a game of football.

'Fascinating and hugely entertaining' Daily Telegraph 'It's not like other comedians' memoirs. It's funny' Guardian THE SAYLES MIGHT NOT HAVE BEEN THE ONLY JEWISH ATHEIST COMMUNIST FAMILY IN LIVERPOOL, BUT ALEXEI KNEW FROM AN EARLY AGE THAT THEY WERE ONE OF THE MORE ECCENTRIC. Born on the day egg rationing came to an end, Alexei was the only child of Joe, an affable trade unionist who led the family on railway expeditions across eastern Europe, and Molly, a hot-tempered red-head who terrified teachers and insisted Alexei see the Red Army Choir instead of the Beatles. Perceptive and hilarious, this is a portrait of a family, a city, a country and a continent going through enormous changes. 'Sayle's book has charm and substance, both as memoir and history' Times Literary Supplement

A Cross-Country Trip through Regency England Brings Intrigue, Rogues, and High Adventure The must-read conclusion to Michelle Griep’s Bow Street Runners Trilogy: Life couldn’t be better for Abigail Gilbert—but it’s been a long time coming. Having lived with a family who hated her, love is finally within reach. Abby sets off on a journey across England to marry one of the most prestigious gentleman bachelors in the land—until highwaymen upset her plans and threaten her life. Horse patrol captain Samuel Thatcher arrives just in time to save Abby. But to him she’s simply another victim in a job he’s come to despise. Tired of the dark side of humanity, he intends to buy land and retire. Abby pleads with him to escort her on the rest of her journey. He refuses until she offers him the thing he desperately needs to achieve his goal: money. Delivering her safely will earn him more than enough to settle into a quiet life. So begins an impossible trek for the cynical lawman and the proper lady. Each will be indelibly changed by the time they reach her betrothed, if they don’t kill one another first—or fall in love.

A septuagenarian contract killer, a chronic hypochondriac, two zombie-creating comedians, a good Samaritan and a man called Barnaby whose holiday takes an unexpected turn. In these sleek and witty tales, described by Loaded as 'an excellent collection of dark, funny and bizarre short stories', Alexei Sayle's characters are vividly, wryly - and occasionally disturbingly - portrayed. Their voices, and the stories they have to tell will remain in the mind for a long, long time.

Adrian Mole's first love, Pandora, has left him; a neighbor, Mr. Lucas, appears to be seducing his mother (and what does that mean for his father?); the BBC refuses to publish his poetry; and his dog swallowed the tree off the Christmas cake. "Why" indeed.

This is the late 1970s and ’80s as explained through the urgent and still-relevant songs of the Clash, the Specials, the Au Pairs, the Style Council, the Pet Shop Boys, and nearly four hundred other bands and solo artists. Each chapter presents a mixtape (or playlist) of songs related to an alarming feature of Thatcher’s Britain, followed by an analysis of the dialogue these artists created with the Thatcherite vision of British society. “Tell us the truth,” Sham 69 demanded, and pop music, however improbably, did. It’s a furious and sardonic account of dark times when pop music raised a dissenting fist against Thatcher’s fascist groove thing and made a glorious, boredom-smashing noise. Bookended with contributions by Dick Lucas and Boff Whalley as well as an annotated discography, The Fascist Groove Thing presents an original and polemical account of the era.

First edition of Sinclair's savage satire, loosely based on the life and career of Edward L. Doheny, and the Teapot Dome scandal of the Harding administration. Although Sinclair's famous novel The Jungle deals with Chicago's meatpacking industry, he moved west to Pasadena in 1916 and began writing novels set in California, the best of which was Oil!, the story of the education of Bunny Ross, son of wildcat oil man Joe Ross after oil is discovered outside Los Angeles. The novel was the basis for Paul Thomas Anderson's 2007 film There Will Be Blood. In California Classics, Lawrence Clark Powell called Oil! "Sinclair's most sustained and best writing."