Two boys—a Brooklyn Jew and a Mid-western farmer—each possessing no more than a stereotype regarding one another when they meet, find themselves randomly thrust together in their first weeks of college life. As each seeks to understand what it means to grow up, they find a connection so strong, that neither religion, nor upbringing, nor the prejudices formed by their disparate childhood experiences, can get in the way of their growing friendship. For they find that they share a common humanity, a zest for life and a love of baseball, strong enough to overcome all obstacles. In so doing they build a trust for one another so powerful, it can weather not only the toughest of times but the secrets they ultimately share. That Which Brings Us Together is a saga of two families lives, whose roots date back for generations starting in the 19th century. It is a tale of a decades-long friendship, whose characters share life’s great triumphs as well as its deep, dark challenges. It is a friendship, which only ends with an untimely death. And along the way, we come face to face with the existential question of, how do you find the strength to carry on, when you think that all hope is lost—when all of life’s forces have mounted the perfect storm against you? It is a window into life’s journey—the one that we are all on together and the one that we eventually must face all alone. Living in an age where society is more and more fractured by its perceived divisions, the question is posed—would the world be a better place, if we are willing to open ourselves up to those who seem so different from us? Innocent, heart-warming, sad, often wise, and occasionally surprising, That Which Brings Us Together will leave readers longing for a different time—or committed more than ever, to getting to really know their fellow human beings.

Fighting with people is easier than fighting with your scars. The same way, it's difficult for Abhijeet to fight with his scars but no matter how much he falls , everytime he stands up and fights with it. Abhijeet never thought that he would fall in love and he also didn't know he would be broken by his own people. Will he still be broken?? Will he stand up after getting betrayed by his own people?? Will it have a happy ending?? Only time has answers.

“Readers of all levels and backgrounds will appreciate the clarity with which Roberts-Miller approaches a topic so often driven by powerful emotion.”—Choice It’s easy to say that racism is wrong. But it’s surprisingly hard to agree on what it is. Does a tired stereotype in your favorite movie make it racist? Does watching it anyway mean you’re racist? Even among like-minded friends, such discussions can quickly escalate to hurt feelings all around—and when they do, we lose valuable opportunities to fight racism. Patricia Roberts-Miller is a scholar of rhetoric—the art of understanding misunderstandings. In Speaking of Race, she explains why the subject is a “third rail” and how we can do better: We can acknowledge that, in a racist society, racism is not the sole provenance of “bad people.” We can focus on the harm it causes rather than the intent of offenders. And, when someone illuminates our own racist blind spots, we can take it not as a criticism, but as a kindness—and an opportunity to learn and to become less racist ourselves.

Fourteen-year-old Charlie Law has lived in Little Town, on the border with Old Country, all his life. He knows the rules: no going out after dark; no drinking; no litter; no fighting. You don't want to get on the wrong side of the people who run Little Town. When he meets Pavel Duda, a refugee from Old Country, the rules start to get broken. Then the bombs come, and the soldiers from Old Country, and Little Town changes forever. Sometimes, to keep the people you love safe, you have to do bad things. As Little Town's rules crumble, Charlie is sucked into a dangerous game. There's a gun, and a bad man, and his closest friend, and his dearest enemy. Charlie Law wants to keep everyone happy, even if it kills him. And maybe it will . . . But he's got to kill someone else first.

A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.

Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book’s essays—written by a diverse and cross-generational group of scholars, performers, and practitioners—demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music.