From Pulitzer Prize and National Book Award winner Annie Proulx comes an exhilarating story brimming with language, history, landscape, music, and love. Bob Dollar is a young man from Denver trying to make good in a bad world. Out of college and aimless, Dollar takes a job with Global Pork Rind, scouting out big spreads of land that can be converted to hog farms. Soon he's holed up in a two-bit Texas town called Woolybucket, where he settles into LaVon Fronk's old bunkhouse for fifty dollars a month, helps out at Cy Frease's Old Dog Café, and learns the hard way how vigorously the old Texas ranch owners will hold on to their land, even when their children want no part of it. Robust, often bawdy, strikingly original, That Old Ace in the Hole traces the waves of change that have shaped the American West over the past century—and in Bob Dollar, Proulx has created one of the most irrepressible characters in contemporary fiction.

The golfer lines up the shot. It's a long one, and the chances of acing it are nil. He says a prayer, swings, and - hallelujah! - he scores a hole in one. Many golfers confess to murmuring earnest prayers that they, too, may join the 42,000 people a year who catch lightning in a bottle and score a hole in one. It's an excitement that many lucky golfers say they remember with more clarity than their first kiss. That's because nothing in the grand old game is as mysterious yet mundane as the ace. Scott Hoch has had 26; fellow pro Fred Couples just two. Blind men and women have hit them, as have first-time golfers, three-year-old toddlers, and hundred-year-old widows. Richard Nixon is the only president to have scored one and he said it was a greater thrill than winning an election. Filled with fun facts and anecdotes, Hole in One! is a comprehensive clearinghouse of unusual stories involving the aura and accomplishment of scoring an ace. Readers will find out how duffers call upon unusual good luck charms and customs from foreign countries to ensure their swinging success. Hole in One! is the perfect book for all golfers who love the game, whether they're accomplished players or rank amateurs.

“Magnificent.” (Anthony Doerr, author of All the Light We Cannot See) From Annie Proulx, the Pulitzer Prize- and National Book Award-winning author of The Shipping News and “Brokeback Mountain” comes her masterwork: an epic, dazzling, violent, marvelously dramatic novel about the destruction of the world’s forests. In the late seventeenth century, two penniless young Frenchmen, René Sel and Charles Duquet, arrive in Canada, then known as New France. Bound to a feudal lord, a seigneur, for three years in exchange for land, they become woodcutters—barkskins. Sel suffers extraordinary hardship, oppressed by the forest he is charged with clearing. He is forced to marry a Mi’kmaw woman, and their descendants live trapped between two hostile cultures. Duquet, crafty and ruthless, runs away from the seigneur, becomes a fur trader, then sets up a timber business. Proulx tells the stories of the descendants of Sel and Duquet over three hundred years—their travels across North America, to Europe, China and New Zealand under stunningly brutal conditions—the revenge of rivals, accidents, pestilence and cultural annihilation. Again and again, they seize what they can of a presumed infinite resource, leaving the modern-day characters face-to-face with possible ecological collapse. Proulx’s inimitable genius is her creation of characters who are so vivid—in their greed, lust, vengefulness or their compassion and hope—that we follow them with fierce attention. Annie Proulx is one of the most formidable and compelling American writers, and Barkskins is her greatest novel, a superb marriage of history and imagination.

E. Annie Proulx's first novel, Postcards, winner of the 1993 Pen/Faulkner Award for Fiction, tells the mesmerizing tale of Loyal Blood, who misspends a lifetime running from a crime so terrible that it renders him forever incapable of touching a woman. Blood's odyssey begins in 1944 and takes him across the country from his hardscrabble Vermont hill farm to New York, across Ohio, Minnesota, and Montana to British Columbia, on to North Dakota, Wyoming, and New Mexico and ends, today, in California, with Blood homeless and near mad. Along the way, he must live a hundred lives to survive, mining gold, growing beans, hunting fossils and trapping, prospecting for uranium, and ranching. In his absence, disaster befalls his family; greatest among their terrible losses are the hard-won values of endurance and pride that were the legacy of farm people rooted in generations of intimacy with soil, weather, plants, and seasons. Postcards chronicles the lives of the rural and the dispossessed and charts their territory with the historical verisimilitude and writerly prowess of Cather, Dreiser, and Faulkner. It is a new American classic.

*Named a Best Book of the Year by The New Yorker and Literary Hub!* *A 2022 NBCC Awards Nonfiction Finalist and a 2023 Phillip D. Reed Environmental Writing Award Finalist* From Pulitzer Prize winner Annie Proulx, this riveting deep dive into the history of our wetlands and what their systematic destruction means for the planet “is both an enchanting work of nature writing and a rousing call to action” (Esquire). “I learned something new—and found something amazing—on every page.” —Anthony Doerr, author of All the Light We Cannot See and Cloud Cuckoo Land A lifelong acolyte of the natural world, Annie Proulx brings her witness and research to the subject of wetlands and the vitally important role they play in preserving the environment—by storing the carbon emissions that accelerate climate change. Fens, bogs, swamps, and marine estuaries are crucial to the earth’s survival, and in four illuminating parts, Proulx documents their systemic destruction in pursuit of profit. In a vivid and revelatory journey through history, Proulx describes the fens of 16th-century England, Canada’s Hudson Bay lowlands, Russia’s Great Vasyugan Mire, and America’s Okeefenokee National Wildlife Refuge. She introduces the early explorers who launched the destruction of the Amazon rainforest, and writes of the diseases spawned in the wetlands—the Ague, malaria, Marsh Fever. A sobering look at the degradation of wetlands over centuries and the serious ecological consequences, this is “an unforgettable and unflinching tour of past and present, fixed on a subject that could not be more important” (Bill McKibben). “A stark but beautifully written Silent Spring–style warning from one of our greatest novelists.” —The Christian Science Monitor

Winner of the Pulitzer Prize, Annie Proulx’s The Shipping News is a vigorous, darkly comic, and at times magical portrait of the contemporary North American family. Quoyle, a third-rate newspaper hack, with a “head shaped like a crenshaw, no neck, reddish hair...features as bunched as kissed fingertips,” is wrenched violently out of his workaday life when his two-timing wife meets her just desserts. An aunt convinces Quoyle and his two emotionally disturbed daughters to return with her to the starkly beautiful coastal landscape of their ancestral home in Newfoundland. Here, on desolate Quoyle’s Point, in a house empty except for a few mementos of the family’s unsavory past, the battered members of three generations try to cobble up new lives. Newfoundland is a country of coast and cove where the mercury rarely rises above seventy degrees, the local culinary delicacy is cod cheeks, and it’s easier to travel by boat and snowmobile than on anything with wheels. In this harsh place of cruel storms, a collapsing fishery, and chronic unemployment, the aunt sets up as a yacht upholsterer in nearby Killick-Claw, and Quoyle finds a job reporting the shipping news for the local weekly, the Gammy Bird (a paper that specializes in sexual-abuse stories and grisly photos of car accidents). As the long winter closes its jaws of ice, each of the Quoyles confronts private demons, reels from catastrophe to minor triumph—in the company of the obsequious Mavis Bangs; Diddy Shovel the strongman; drowned Herald Prowse; cane-twirling Beety; Nutbeem, who steals foreign news from the radio; a demented cousin the aunt refuses to recognize; the much-zippered Alvin Yark; silent Wavey; and old Billy Pretty, with his bag of secrets. By the time of the spring storms Quoyle has learned how to gut cod, to escape from a pickle jar, and to tie a true lover’s knot.

With the publication of Naked Lunch in 1959, William Burroughs abruptly brought international letters into the postmodern age. Beginning with his very early writing (including a chapter from his and Jack Kerouac's never-before-seen collaborative novel), Word Virus follows the arc of Burroughs's remarkable career, from his darkly hilarious "routines" to the experimental cut-up novels to Cities of the Red Night and The Cat Inside. Beautifully edited and complemented by James Grauerholz's illuminating biographical essays, Word Virus charts Burroughs's major themes and places the work in the context of the life. It is an excellent tool for the scholar and a delight for the general reader. Throughout a career that spanned half of the twentieth century, William S. Burroughs managed continually to be a visionary among writers. When he died in 1997, the world of letters lost its most elegant outsider.