From the documentary to the cinema novo and cannibalism, from Nelson Pereira dos Santos's Vidas Secas to music in the films of Glauber Rocha, this third, revised edition is a century-spanning introduction to the story of a medium that flourished in one of the most developed of 'underdeveloped' nations.

Why the Little Frenchman Wears His Hand in a Sling (+Biography and Bibliography) (5X8po Glossy Cover Finish): It's on my visiting cards sure enough (and it's them that's all o' pink satin paper) that inny gintleman that plases may behould the intheristhin words, "Sir Pathrick O'Grandison, Barronitt, 39 Southampton Row, Russell Square, Parrish o' Bloomsbury." And shud ye be wantin' to diskiver who is the pink of purliteness quite, and the laider of the hot tun in the houl city o' Lonon why it's jist mesilf. And fait that same is no wonder at all at all (so be plased to stop curlin your nose), for every inch o' the six wakes that I've been a gintleman, and left aff wid the bogthrothing to take up wid the Barronissy, it's Pathrick that's been living like a houly imperor, and gitting the iddication and the graces. Och! and wouldn't it be a blessed thing for your spirrits if ye cud lay your two peepers jist, upon Sir Pathrick O'Grandison, Barronitt, when he is all riddy drissed for the hopperer, or stipping into the Brisky for the drive into the Hyde Park. But it's the illigant big figgur that I ave, for the rason o' which all the ladies fall in love wid me.

Back in print for the first time in decades—and featuring a new interview with the author, in celebration of her centennial birthday—the delectable escapades of Hollywood legend Olivia de Havilland, who fell in love with a Frenchman—and then became a Parisian In 1953, Olivia de Havilland—already an Academy Award-winning actress for her roles in To Each His Own and The Heiress—became the heroine of her own real-life love affair. She married a Frenchman, moved to Paris, and planted her standard on the Left Bank of the River Seine. It has been fluttering on both Left and Right Banks with considerable joy and gaiety from that moment on. Still, her transition from Hollywood celebrity to parisienne was anything but easy. And in Every Frenchman Has One, her skirmishes with French customs, French maids, French salesladies, French holidays, French law, French doctors, and above all, the French language, are here set forth in a delightful and amusing memoir of her early years in the “City of Light.” Paraphrasing Caesar, Ms. de Havilland says, “I came. I saw. I was conquered.”

Making faces: a highly original visual Q&A with France's most beloved comic actor In New York in 1948, photographer Philippe Halsman had a chance meeting with Fernandel, a French movie star from the vaudeville tradition, and asked the actor to participate in a completely original photographic experiment. Halsman would ask Fernandel questions about America to which he would respond using only facial expressions. With his wide, lovable horse-face, Fernandel mimicked the answers to such questions as "Does the average Frenchman still pinch pretty girls in a crowd?" (silly grin) and "What was your reaction to the great American game of baseball?" (perplexed). Fernandel`s reactions are laugh-out-loud funny, and the book that resulted from this unusual collaboration is nothing short of wonderful. The Frenchman has been out of print for over fifty years, but TASCHEN`s reprint thankfully brings it back to life.