The author paints a picture as panoramic as his title promises, of the life of 1870s London, the loves of those drawn to and through the city, and the career of Augustus Melmotte.

“Remarkable insight and sensitivity . . . deepen[s] our understanding of human resilience and how people rebuild their lives from tragic circumstances.” —KENNETH ROTH, Executive Director, Human Rights Watch “The stories in this book are eloquently and poignantly recounted, and offer a vital, complex portrait of what the long road to peace looks like.” —DINAW MENGESTU, author of The Beautiful Things That Heaven Bears and How to Read the Air “Profound . . . Rarely do we get the opportunity to delve into the thoughts of the young caught up in such a tragedy—and meet them not just once in their lives but again years later.” —TIM JUDAH, Europe correspondent for Bloomberg World View, Balkans correspondent for The Economist, and author of The Serbs: History, Myth and the Destruction of Yugoslavia Imagine you are nine years old. Your best friend’s father is arrested, half your classmates disappear from school, and someone burns down the house across the road. Imagine you are ten years old and have to cross a snow-covered mountain range at night in order to escape the soldiers who are trying to kill you. How would you deal with these memories five, ten, or twenty years later once you are an adult? Jones, a relief worker and child psychiatrist, interviewed over forty Serb and Muslim children who came of age during the Bosnian War and now returns, twenty years after the war began, to discover the adults they have become. A must-read for anyone interested in human rights, children’s issues, and the psychological fallout from war, this engaging book addresses the continuing debate about PTSD, the roots of ethnic identity and nationalism, the sources of global conflict, the best paths toward peacemaking and reconciliation, and the resilience of the human spirit. Lynne Jones was appointed an Officer of the Order of the British Empire for her work in child psychiatry in conflict-affected areas of Central Europe and has established and directed mental health programs in areas of conflict and natural disaster throughout Latin America, the Balkans, East and West Africa, the Middle East, and Southeast Asia. Her field diaries have been published in O, The Oprah Magazine and London Review of Books, and her audio diaries have been broadcast on the BBC World Service.

THIS IS A REPRODUCTION OF THE ORIGINAL THAT WAS PRINTED IN 1851. IT HAS OVER 60 ILLUSTRATIONS IN THE BOOK.

This illustrated A-Z guide covers more than 700 country music artists, groups, and bands. Articles also cover specific genres within country music as well as instruments used. Written in a lively, engaging style, the entries not only outline the careers of country music's greatest artists, they provide an understanding of the artist's importance or failings, and a feeling for his or her style. Select discographies are provided at the end of each entry, while a bibliography and indexes by instrument, musical style, genre, and song title round out the work. For a full list of entries, a generous selection of sample entries, and more, visit the Country Music: A Biographical Dictionary website.

Margaret Atwood's international celebrity has given a new visibility to Canadian literature in English. This Companion provides a comprehensive critical account of Atwood's writing across the wide range of genres within which she has worked for the past forty years, while paying attention to her Canadian cultural context and the multiple dimensions of her celebrity. The main concern is with Atwood the writer, but there is also Atwood the media star and public performer, cultural critic, environmentalist and human rights spokeswoman, social and political satirist, and mythmaker. This immensely varied profile is addressed in a series of chapters which cover biographical, textual, and contextual issues. The Introduction contains an analysis of dominant trends in Atwood criticism since the 1970s, while the essays by twelve leading international Atwood critics represent the wide range of different perspectives in current Atwood scholarship.