The American military-industrial complex and accompanying culture are most often associated with massive weapons procurement programs and advanced technologies. However, one aspect of the complex is not a weapon or even a machine, but one of the world’s most highly engineered consumer products: the manufactured cigarette. Smoke ’Em If You Got ’Em describes the origins of the often comfortable, yet increasingly controversial relationship among the military, the cigarette industry, and tobaccoland politicians during the twentieth century. Smoke ’Em If You Got ’Em is also a study in modern American political economy. Bureaucrats, soldiers, lobbyists, government executives, legislators, litigators, or anti-smoking activists all struggled over far-reaching policy issues involving the cigarette. The soldier-cigarette relationship established by the Army in World War I and broken apart in the mid-1980s underpinned one of the most prolific social, cultural, economic, and healthcare-related developments in the twentieth century: the rise and proliferation of the American manufactured cigarette smoker and the powerful cigarette enterprise supporting them. Using the manufactured cigarette as a vehicle to explore political economy and interactions between the military and American society, Joel R. Bius helps the reader understand this important, yet overlooked aspect of twentieth-century America.

Those a Y'all Who Voted AGAINST the "CURRENT" Tit-Turd MASSA President Obamma Ramma Administration ALREADY Believe Whay's in This Here Book WITHOUT Readin' it, BUTT (and I'm a Showin' Ya My REALLY BIG BUTT Agin) The REST a Y'all Need ta Git OFF'n Yer DEAD ASSes and Yer DAMN Tater Couches and READ My DAMN Book So's Ya Don't Make THAT Mistake Agin (NOR Another'n JEST "Like" it), SOOOOO Ms Sarah Palin.....Dear Lady......AND Mr Herman Cain.......Kind Sir.........AND ALL a YOU "OTHER" NIPer CORE Constituency "Called to Service" in Chapter 3 (Barbara Walters, Robert Duvall, Oprah Winfrey, Colin Powell, Warren Buffett, Donald Trump, Bill Gates, Arnold Schwarzenagger, Jessie "The Body" Ventura, Bill O'Reilly, Glenn Beck, Rush Limbaugh, Steve Doocy, Gretchen Carlson, Brian Kilmeade, "Junior" or "Trinity", etc.) It's TIME ta Board the NIPer Train (or 13 Bomb-Bustin' Bus CONVOYYYY) !!!

𝘍𝘳𝘰𝘮 𝘵𝘩𝘦 𝘢𝘶𝘵𝘩𝘰𝘳 𝘰𝘧 𝘵𝘩𝘦 𝘍𝘢𝘪𝘵𝘩, 𝘓𝘰𝘷𝘦 & 𝘋𝘦𝘷𝘰𝘵𝘪𝘰𝘯 𝘴𝘦𝘳𝘪𝘦𝘴, 𝘛𝘦𝘳𝘦 𝘔𝘪𝘤𝘩𝘢𝘦𝘭𝘴 𝘦𝘮𝘣𝘢𝘳𝘬𝘴 𝘰𝘯 𝘢𝘯 𝘢𝘥𝘷𝘦𝘯𝘵𝘶𝘳𝘦 𝘰𝘧 𝘮𝘢𝘨𝘪𝘤𝘢𝘭 𝘳𝘦𝘢𝘭𝘪𝘴𝘮 𝘢𝘯𝘥 𝘳𝘰𝘮𝘢𝘯𝘵𝘪𝘤 𝘤𝘰𝘮𝘦𝘥𝘺 𝘪𝘯 𝘢 𝘯𝘦𝘸 𝘮𝘪𝘹𝘦𝘥 𝘤𝘰𝘶𝘱𝘭𝘦 𝘴𝘦𝘳𝘪𝘦𝘴. Baker Annalee Martelli is not a Holiday Person™. A family feud and a contentious divorce make the holiday insistence on family togetherness depressing, and she much prefers hiding away from humanity in the kitchen of the tiny NYC bakery where she works. If that wasn’t enough to make her grind her teeth in November, her boss suddenly goes MIA after a “quick weekend trip” to her quaint hometown upstate turns into weeks of unanswered calls and emails. With the crazy holiday rush approaching, Annalee girds her loins and heads to Pine Lake to find her boss and save her job. While avoiding getting nature on her boots. Cam Berijssoen has lived his entire life in Pine Lake, the perfectly picturesque jewel of the Hudson Valley where frost sparkles on the pines, there’s always a parade or festival in the town square, and an unusual number of their visitors decide to stay. Permanently. He helps run his parents’ hotel and dreams of a life that doesn’t involve so many trees (he has allergies) and achieving the happiness everyone else seems to find in Pine Lake. Annalee and Cam both have good reason to want out of Pine Lake. When a series of events drops a world of possibilities in their laps, it seems to be time to take a leap of faith. Can a grumpy city girl and a charming master of hospitality make their dreams come true together? (But not like...together together. Right?) Pine Lake has one rule - Fall in Love. Or Else.

Poised to become a significant player in the new world order, the United States truly came of age during and after World War I. Yet many Americans think of the Great War simply as a precursor to World War II. Americans, including veterans, hastened to put experiences and memories of the war years behind them, reflecting a general apathy about the war that had developed during the 1920s and 1930s and never abated. In Remembering World War I in America Kimberly J. Lamay Licursi explores the American public's collective memory and common perception of World War I by analyzing the extent to which it was expressed through the production of cultural artifacts related to the war. Through the analysis of four vectors of memory--war histories, memoirs, fiction, and film--Lamay Licursi shows that no consistent image or message about the war ever arose that resonated with a significant segment of the American population. Not many war histories materialized, war memoirs did not capture the public's attention, and war novels and films presented a fictional war that either bore little resemblance to the doughboys' experience or offered discordant views about what the war meant. In the end Americans emerged from the interwar years with limited pockets of public memory about the war that never found compromise in a dominant myth.

We live in an age when the cigarette industry is under almost constant attack. Few weeks pass without yet another report on the hazards of smoking, or news of another anti-cigarette lawsuit, or more restrictions on cigarette sales, advertising, or use. It's somewhat surprising, then, that very little attention has been given to the fact that America has traveled down this road before. Until now, that is. As Cassandra Tate reports in this fascinating work of historical scholarship, between 1890 and 1930, fifteen states enacted laws to ban the sale, manufacture, possession, and/or use of cigarettes--and no fewer than twenty-two other states considered such legislation. In presenting the history of America's first conflicts with Big Tobacco, Tate draws on a wide range of newspapers, magazines, trade publications, rare pamphlets, and many other manuscripts culled from archives across the country. Her thorough and meticulously researched volume is also attractively illustrated with numerous photographs, posters, and cartoons from this bygone era. Readers will find in Cigarette Wars an engagingly written and well-told tale of the first anti-cigarette movement, dating from the Victorian Age to the Great Depression, when cigarettes were both legally restricted and socially stigmatized in America. Progressive reformers and religious fundamentalists came together to curb smoking, but their efforts collapsed during World War I, when millions of soldiers took up the habit and cigarettes began to be associated with freedom, modernity, and sophistication. Importantly, Tate also illustrates how supporters of the early anti-cigarette movement articulated virtually every issue that is still being debated about smoking today; theirs was not a failure of determination, she argues in these pages, but of timing. A compelling narrative about several clashing American traditions--old vs. young, rural vs. urban, and the late nineteenth vs. early twentieth centuries--this work will appeal to all who are interested in America's love-hate relationship with what Henry Ford once called "the little white slaver."