Thank God I'm a Sucker is an autobiographical account of an eye surgeon, demonstrating through his own personal battles the conflicts between the ancient arts of healing of the East and the Western system of Medicine. He explores the power of the mind on the human body and the impact this has on the genes. In the early chapters he explains the current scientific thinking about age-related disorders and their management, while developing his own ideas of how the placebo effect and personal belief systems work, quoting extensively from scientific journals and ancient vedas. He then proposes a new theory of human evolution, contradicting Charles Darwin and coining novel terms like "Ipsicura" and "Concion". In the last chapter he gives convincing arguments against Atheists like Richard Dawkins to force his reader to think as to why a firm belief in "God" could in fact be an evolutionary stable strategy for the human race.

This book of fictitious poetry is actually two books combined in one to the advantage of the purchaser and reader. Each book was written for a different occasion and completed at a different time from the other. -- The first book comprising Part I of the combined book is a mock epic entitled, "Thank God I'm not a Republican," on the sex scandal of Bill Clinton, the 42nd US President, and Monika Lewinsky, towards the end of the second millennium. -- As for Part II, which comprises Book II of the combined Book, it is entitled, "When Evil Struck the Twin Towers," the title of which speaks for itself and portrays the author's belief and feeling that save the senseless amongst us, no one in the whole world was NOT entirely annoyed, devastated and surprised by the terrorist attacks against the Twin Towers of the WTC, and the Pentagon. -- About Sam Michael Christian (Mississauga, Ontario, Canada): Being a graduate of Linguistics and Education, the Author has mostly worked as a consultant in the areas of Language Teaching, Curriculum Development, Translation, Distant Learning, Editing and Public Relations, which has given him a chance to be involved and work closely with people of different races and cultures, mostly abroad, which has helped shape his life and character and given him the advantage of understanding people. However, for Sam, there is nothing like home, and the verses in his book embody and show where his heart lies and belongs, and how he feels about home.

Don't miss this satisfying, swoony, laugh-out-loud romantic comedy perfect for readers who love Christina Lauren, Emily Henry, and Helena Hunting Why am I hiding behind a dumpster at the Gas-N-Go in my pajamas, spying on Will? A month ago I was America's favorite TV relationships expert. Now? I'm the loser facing a major scandal, whose catastrophic love life is splashed across TMZ, social media, and every gossip show and supermarket tabloid — all because I got dumped by my husband on national TV. For a reality TV star. And that's not even the worst part. Now, I'm scrambling to un-shamble my life, make a comeback, and salvage what's left of my heart and my career — which is constantly complicated by the fact that I keep publicly screwing up (on camera, no less), my publicist is advising me to do some (let's say questionable) stuff to get my career back on track, and most of all, because I can't tell if my insanely sexy divorce attorney Holt is flirting with me, or just giving me legal advice. It definitely feels like flirting. Like, the best flirting of my entire life — the kind that makes all your parts tingle, not just your toes. Is that a bad thing? Yeah, it is — because if I fall for him, we'll both be torpedoing our careers, not to mention everything else that really matters to me. It's just so hard to stop... Click Buy Now to find out what happens when Darby must choose between everything she's always wanted -- and what she wants more than anything right now. Editorial Reviews: "My absolute favourite character was Holt, Darby's lawyer. He had some super Southern charm and I was a sucker for him from the first time we met him. Talk about swoon-worthy. It's almost worth getting married, just so Holt can be your divorce lawyer. I know he's fictional, but a girl can dream, right?" —Leah Graham, Chick Lit Reviews & News "A smart, hilariously funny gem of a book. Everything you want in romantic comedy; laugh out loud escapism at its finest." —Lisa Earle McLeod syndicated columnist, Buffalo News "Surprising depth and a heroine with heart to root for..." —Publishers Weekly "Comedy, romance, Fifteen Minutes of Shame has it all." —Coleen Murphy, Riverbank Studios "I was instantly hooked on this funny romance" - Clare Naylor Author of The Second Assistant "Lisa Daily has a knack for putting the "pop" back into pop culture. A pitch-perfect romantic comedy" —Marci Wise Senior Producer, WFLA "Fifteen Minutes of Shame is brilliant and funny chick-lit comedy, Daily is an author on the rise." — Bestselling author Mia King "Fall-out-of-your-chair hilarious! One of the funniest romantic comedy books you'll read all year! —Miss Lit Blog "So satisfying! You'll love Lisa Daily's laugh-out-loud writing style, and wacky, brilliant yet disaster-prone heroines." —Beach Book Bungalow

"...first-rate work....The writing is excellent throughout: the characters are well drawn, interesting and sharply differentiated; the dialogue is trenchant and lively; the atmosphere captures the world in which these people live and act; and most of all, the story, the narrative is suspenseful and imminently believable. I was with the book all the way. It is a keen portrait of the world it is depicting and exploring.... -Edwin Wilson CUNY Grad Center, Yale University Wall Street Journal Rudy Gray gives us a black teacher in a Bronx junior high during the gold-chain-snatching early 1980s. This book is fresh, nuanced, poignant, redemptive. Thank God for Rudy Gray! -Jane Mushabac, 2011 Scholar on Campus, NYC College of Technology, CUNY, co-author of A Short and Remarkable History of New York City, selected as a "Best of the Best" by the American Association of University Presses Earl Chaney is a successful but burned-out teacher in a challenging junior high school. Continuously haunted by past misdeeds and failures to act, Earl needs an academic achievement to feed his starving ego. Thirteen-year-old Kaseem Abdullah thinks that being cool requires him to control everything around him-including himself. He is a malicious, confused problem student who has a penchant for pilfering necklaces from innocent female victims. But after he acts out in school one time too many, he is confronted by school administrators who graciously decide to give him another undeserved chance to redeem himself. After transferring Kaseem into Earl's already troubled classroom, Kaseem pretends to turn over a new leaf, providing Earl with an unjustified sense of accomplishment. Yet outside of school, Kaseem continues on his path of self-destruction. Earl mistakenly thinks his miscreant student has become a fine citizen. When the truth is finally discovered, Earl must come to terms not only with his student's deception, but also with his own personal flaws.

The next title in New York Times bestselling author Catherine Coulter's FBI series. When a fellow agent's plane crashes deep in the Appalachian Mountains, married FBI agents Savich and Sherlock find the pilot and his passenger alive. But that's just the beginning of a case that plummets them into a whirlwind of vicious murder attempts, powerful suspects, political secrets, and escalating terror.

On March 31, 1943, the musical Oklahoma! premiered and the modern era of the Broadway musical was born. Since that time, the theatres of Broadway have staged hundreds of musicals--some more noteworthy than others, but all in their own way a part of American theatre history. With more than 750 entries, this comprehensive reference work provides information on every musical produced on Broadway since Oklahoma's 1943 debut. Each entry begins with a brief synopsis of the show, followed by a three-part history: first, the pre-Broadway story of the show, including out-of-town try-outs and Broadway previews; next, the Broadway run itself, with dates, theatres, and cast and crew, including replacements, chorus and understudies, songs, gossip, and notes on reviews and awards; and finally, post-Broadway information with a detailed list of later notable productions, along with important reviews and awards.

Reeling Through Life: How I Learned to Live, Love, and Die at the Movies looks at how film shapes identity. Through ten cleverly constructed essays, Ison explores how a lifetime of movie-watching has, for better or worse, taught her how to navigate the world and how to grapple with issues of career, family, faith, illness, sex, and love. Cinema is a universal cultural experience, one that floods our senses with images and sounds, a powerful force that influences our perspective on the world around us. Ison discusses the universal aspects of film as she makes them personal, looking at how certain films across time shaped and molded who she has become. Drawing on a wide ranging catalog of films, both cult and classic, popular and art-house, Reeling Through Life examines how cinema shapes our views on how to make love, how to deal with mental illness, how to be Jewish, how to be a woman, how to be a drunk, and how to die with style. Rather than being a means of escape or object of mere entertainment, Ison posits that cinema is a more engaging form of art, a way to slip into other identities and inhabit other realities. A way to orient oneself into the world. Reeling Though Life is a compelling look at one popular art form and how it has influenced our identities in provocative and important ways.