We call it justice—the assassination of Osama bin Laden, the incarceration of corrupt politicians or financiers like Rod Blagojevich and Bernard Madoff, and the climactic slaying of cinema-screen villains by superheroes. But could we not also call it revenge? We are told that revenge is uncivilized and immoral, an impulse that individuals and societies should actively repress and replace with the order and codes of courtroom justice. What, if anything, distinguishes punishment at the hands of the government from a victim’s individual desire for retribution? Are vengeance and justice really so very different? No, answers legal scholar and novelist Thane Rosenbaum in Payback: The Case for Revenge—revenge is, in fact, indistinguishable from justice. Revenge, Rosenbaum argues, is not the problem. It is, in fact, a perfectly healthy emotion. Instead, the problem is the inadequacy of lawful outlets through which to express it. He mounts a case for legal systems to punish the guilty commensurate with their crimes as part of a societal moral duty to satisfy the needs of victims to feel avenged. Indeed, the legal system would better serve the public if it gave victims the sense that vengeance was being done on their behalf. Drawing on a wide range of support, from recent studies in behavioral psychology and neuroeconomics, to stories of vengeance and justice denied, to revenge practices from around the world, to the way in which revenge tales have permeated popular culture—including Hamlet, The Godfather, and Braveheart—Rosenbaum demonstrates that vengeance needs to be more openly and honestly discussed and lawfully practiced. Fiercely argued and highly engaging, Payback is a provocative and eye-opening cultural tour of revenge and its rewards—from Shakespeare to The Sopranos. It liberates revenge from its social stigma and proves that vengeance is indeed ours, a perfectly human and acceptable response to moral injury. Rosenbaum deftly persuades us to reconsider a misunderstood subject and, along the way, reinvigorates the debate on the shape of justice in the modern world.

“This is a thoughtful look at the shortcomings of the American legal system.” — Booklist “Rosenbaum should be read by every law student in America.” — New York Times Book Review “Mr. Rosenbaum’s complaints about the current legal system are widely shared.” — The New York Sun “[Rosenbaum] cleverly enlivens his discourse with histrionic scenes from novels, films, plays and TV.” — Miami Herald “[Rosenbaum’s] book ought to be required reading in law schools and continuing legal education classes.” — Washington Post

Seminar paper from the year 2008 in the subject American Studies - Literature, grade: 1, Martin Luther University, language: English, abstract: Introduction "He writes like he talks and talks like he writes" Although the cruelties people of Europe had to suffer from during the early decades of the 20th century, when Adolf Hitler began to establish his Nazi-regime, are part of a sad and dark chapter in German history, the aftermaths of the Rassengesetze, the war itself and the concentration camps are still shaking the minds of those who are faced with this issue during their studies, as well as the memories and lives of the people which either had to live according to the ideologies of the Third Reich and experience the tortures and pain the Nazis had brought upon them, or belong to the younger generation of those people's descendants. Thane Rosenbaum himself is one of them, a member of the generation whose parents had been there, had to live during the Third Reich and had survived the Holocaust. His novel Elijah Visible treats the issue of Nazi-Germany, the concentration camps and the consequences of this brutal era of German politics and ideologies from a rather indirect Jewish point of view (for further explanation cf. 2.1). During the tenor of this work the author, Thane Rosenbaum, shall be introduced and his novel-in-stories Elijah Visible will be analyzed with the help of three selected short stories; the structure of the complete novel and connections between single stories will be illustrated. It is expounded in how far and in which manner the author's past and family background have influenced the (events described throughout the) stories and thus, which autobiographical elements can be found. The last chapter will lay the focus on Rosenbaum's language and style as well as the purpose of writing his novel. This work is written in American English. [...]

In the seamy atmosphere of Miami Beach's Collins Avenue, Mila Katz, a streaky card shark and confidante of mobsters, lives by the wits with which she has survived the Holocaust. Second Hand Smoke is the story of Mila's sons, Issac and Duncan, the one secretly abandoned in Poland, and the other, American-born, raised as an avenging Nazi hunter, poisoned with rage. Told in bursts of fractured realism and dark comedy, Second Hand Smoke is a postmodern mystery of great lyrical power, deep insight, and emotional resonance.

This historical novel plunges its fictional characters into the thrilling, dangerous and often absurd world of Miami in the 1970s.

The New York Times Book Review Editors' Choice A psychologist's gripping, troubling, and moving exploration of the brutal murder of a possibly transgender middle school student by an eighth grade classmate On Feb. 12, 2008, at E. O. Green Junior High in Oxnard, CA, 14-year-old Brandon McInerney shot and killed his classmate, Larry King, who had recently begun to call himself "Leticia" and wear makeup and jewelry to school. Profoundly shaken by the news, and unsettled by media coverage that sidestepped the issues of gender identity and of race integral to the case, psychologist Ken Corbett traveled to LA to attend the trial. As visions of victim and perpetrator were woven and unwoven in the theater of the courtroom, a haunting picture emerged not only of the two young teenagers, but also of spectators altered by an atrocity and of a community that had unwittingly gestated a murder. Drawing on firsthand observations, extensive interviews and research, as well as on his decades of academic work on gender and sexuality, Corbett holds each murky facet of this case up to the light, exploring the fault lines of memory and the lacunae of uncertainty behind facts. Deeply compassionate, and brimming with wit and acute insight, A Murder Over a Girl is a riveting and stranger-than-fiction drama of the human psyche.

Based on recently discovered documents, The Jews Should Keep Quiet reassesses the hows and whys behind the Franklin D. Roosevelt administration's fateful policies during the Holocaust. Rafael Medoff delves into difficult truths: With FDR's consent, the administration deliberately suppressed European immigration far below the limits set by U.S. law. His administration also refused to admit Jewish refugees to the U.S. Virgin Islands, dismissed proposals to use empty Liberty ships returning from Europe to carry refugees, and rejected pleas to drop bombs on the railways leading to Auschwitz, even while American planes were bombing targets only a few miles away--actions that would not have conflicted with the larger goal of winning the war. What motivated FDR? Medoff explores the sensitive question of the president's private sentiments toward Jews. Unmasking strong parallels between Roosevelt's statements regarding Jews and Asians, he connects the administration's policies of excluding Jewish refugees and interning Japanese Americans. The Jews Should Keep Quiet further reveals how FDR's personal relationship with Rabbi Stephen S. Wise, American Jewry's foremost leader in the 1930s and 1940s, swayed the U.S. response to the Holocaust. Documenting how Roosevelt and others pressured Wise to stifle American Jewish criticism of FDR's policies, Medoff chronicles how and why the American Jewish community largely fell in line with Wise. Ultimately Medoff weighs the administration's realistic options for rescue action, which, if taken, would have saved many lives.