Thai silver and nielloware display exquisite craftsmanship and design to rival better-known genres of silver from Asia. However, there has to date been little written about this fascinating subject. Examining the history and scope of specified Thai silver and nielloware production dating from the early 19th century to the present, as well as the various forms and designs utilised, this book provides a single reference source on the subject matter for both newcomers and seasoned collectors alike. The book focuses on the various artefacts broadly termed "utensils" and "vessels", produced for utilitarian purposes, that can still be found for sale in the domestic marketplace, while rarer artefacts, collectibles and commemorative items made for the royal court are also discussed: such items were typically of the highest quality made by top artisans. The author considers the role of religious and devotional silver objects in Thailand, as these too have become popular collectibles. Although dating of Asian silverware generally remains problematic, the author provides dating indicators and the first published compilation of Chinese and other marks on silverware found in Thailand

The art of silversmithing in South-East Asia is part of a tradition dating back over 3000 years, and has been exposed to Indian, Chinese, Muslim, and European influences. In this illustrated introductory volume, the author outlines the history of silverware in South-East Asia and discusses the local tradition in each of the countries in the region, highlighting the unique features of the various communities.

The first full history of a great commercial and political center that rose in Asia over almost five centuries.

The English translation of this best-selling graphic novel tells the story of Nok, an old blind man who sells lottery tickets in Bangkok, as he decides to leave the city and return to his native village. Through reflections on contemporary Bangkok and flashbacks to his past, Nok reconstructs a journey through the slums of migrant workers, the rice fields of Isaan, the tourist villages of Ko Pha Ngan, and the Red Shirt protests of 2010. Based on a decade of anthropological research, The King of Bangkok is a story of migration to the city, distant families in the countryside, economic development eroding the land, and violent political protest. Ultimately, it is a story about contemporary Thailand and how the waves of history lift, engulf, and crash against ordinary people.

This dissertation examines the evolution of Western and Modern architecture in Siam and Thailand. It illustrates how various architectural ideas have contributed to the physical design and spatial configuration of places associated with negotiation and allocation of political power, which are throne halls, parliaments, and government and civic structures since the 1850s.

David A. Scott provides a detailed introduction to the structure and morphology of ancient and historic metallic materials. Much of the scientific research on this important topic has been inaccessible, scattered throughout the international literature, or unpublished; this volume, although not exhaustive in its coverage, fills an important need by assembling much of this information in a single source. Jointly published by the GCI and the J. Paul Getty Museum, the book deals with many practical matters relating to the mounting, preparation, etching, polishing, and microscopy of metallic samples and includes an account of the way in which phase diagrams can be used to assist in structural interpretation. The text is supplemented by an extensive number of microstructural studies carried out in the laboratory on ancient and historic metals. The student beginning the study of metallic materials and the conservation scientist who wishes to carry out structural studies of metallic objects of art will find this publication quite useful.

In The Killing Wind, Tan recounts how over the course of 66 days in 1967, over 9,000 Chinese "class enemies" were massacred in the Daoxian.