Thai classical singing is a genre that blossomed during the golden age of music in the royal court at Bangkok during the nineteenth century. It took a variety of forms including unaccompanied songs used for narration in plays, instrumental music that was used to accompany mimed actions, and songs of entertainment accompanied by an instrumental ensemble. Today, Thai classical singing is found widely outside the court, and its influence is evident in many traditional songs. This book is the first in English to provide a detailed study of Thai classical singing. Dusadee Swangviboonpong discusses the historical background to this long-established genre, the vocal techniques that it employs, the contexts in which it is performed, the degree of improvisation that performers use, the setting of texts and the methods used to teach the songs. Teaching methods still tend to focus on oral transmission, although there have been recent attempts by the Thai authorities to standardize the way singing is taught and practised. These controls are, argues the author, a threat to the the variety in style and approach that has characterised this music and kept it alive. The book features transcriptions of Thai classical songs and a glossary of Thai terms, so making it a useful introduction to the genre.

Thailand is rapidly industrializing, dramatically improving the living standards of its people, and gradually developing a more democratic society. Despite such profound changes, traditional Thai culture has not only survived, but has also, in many respects, prospered. Although famous for its food, and despite its increasing popularity as a tourist destination, Thailand remains relatively unknown to most Westerners. Culture and Customs of Thailand presents the traditional culture and customs against the backdrop of modern times. Thailand has always been an important Southeast Asian country. With a long-reigning monarchy, it is the only country in the region that has never been colonized by a Western power or suffered bloody revolutions and wars. It was the first Asian country to establish diplomatic relations with the United States, and has remained a constant ally. Thailand has emerged as a considerable economic force as the world's largest rice and rubber producer and remains a regional political power. Against this historical framework, Kislenko deftly introduces the traditional and modern strands of the dominant Buddhist faith and other religions, such as animism. Coverage includes literature, the arts, architecture-including the Thai Wat-food and dress, gender and marriage, festivals and fun, and social customs. Kislenko also balances the portrait with discussions of threats from globalization, AIDS and sex tourism, the drug trade, and corruption in business and government. Evocative photos, a country map, a timeline, and a chronology complete the coverage. This reference is the best source for students and general readers to gain substantial, sweeping insight into the Thais and their land of smiles.

Sounding the Center is an in-depth look at the power behind classical music and dance in Bangkok, the capital and sacred center of Buddhist Thailand. Focusing on the ritual honoring teachers of music and dance, Deborah Wong reveals a complex network of connections among kings, teachers, knowledge, and performance that underlies the classical court arts. Drawing on her extensive fieldwork, Wong lays out the ritual in detail: the way it is enacted, the foods and objects involved, and the people who perform it, emphasizing the way the performers themselves discuss and construct aspects of the ceremony.

The Other Classical Musics will help both students and general readers to appreciate musical traditions mostly unfamiliar to them.