This publication is a detailed study of the 14th - 16th century Thai ceramic wares that played a role in the local Buddhist, Brahman and Animist religious ceremonies, approached from an art historical point of view. It also establishes the degree of interaction between the many cultures that influenced the form, design, function and usage of these wares, and draws on the underlying historic, religious and stylistic linkages with India, China, Sri Lanka, Burma Cambodia and other parts of Southeast Asia. A background to the history, politics and cultural practices of Thailand introduces the subject, followed by a systematic analysis of the Thai products. Throughout the study, comparisons are made with other Asian cultures, decorative styles and chronology, all of which add further dimensions to a hitherto relatively unexplored art form. This voluminous and painstaking research was undertaken by the authors over a period of twenty years, inspired by their personal interest in the subject. The resultant major reference work on Thai ecclesiastical ceramics has had the help of many international museum curators, archaeologists, collectors and dealers. The authors have had access to practically all known major collections around the world, many of which have not been published before. Aided by over 830 photographs, maps and specially commissioned line drawings, the subject is explicitly illustrated, compiled and discussed in great detail. By drawing these different aspects together, this major study should appeal equally to collectors, researchers and those with a wider interest in the rich religious and cultural life of the area. Book jacket.

This volume offers a baseline of information on what is known of earthenware across Southeast Asia and aims to provide new understandings of subjects including the origins of the prehistoric tripod vessels of the Malayan Peninsula and the role of earthenware from a kiln site in southern Thailand.