In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, Slaves Waiting for Sale, Richmond, Virginia. This innovative book uses Crowe’s paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans, the evolving iconography of abolitionist art, and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe’s trajectory from Richmond across the American South and back to London—where his paintings were exhibited just a few weeks after the start of the Civil War—Maurie D. McInnis illuminates not only how his abolitionist art was inspired and made, but also how it influenced the international public’s grasp of slavery in America. With almost 140 illustrations, Slaves Waiting for Sale brings a fresh perspective to the American slave trade and abolitionism as we enter the sesquicentennial of the Civil War.

America was a source of fascination to Europeans arriving there during the course of the nineteenth century. At first glance, the New World was very similar to the societies they left behind in their native countries, but in many aspects of politics, culture and society, the American experience was vastly different - almost unrecognisably so - from Old World Europe. Europeans were astounded that America could survive without a monarch, a standing army and the hierarchical society which still dominated Europe. Some travellers, such as the actress Fanny Kemble, were truly convinced America would eventually revert to a monarchy; others, such as Frances Wright and even Oscar Wilde, took their opinions further, and attempted to fix aspects of America - described in 1827 by the young Scottish captain Basil Hall, as 'one of England's "occasional failures"'. Many prominent visitors to the United States recorded their responses to this emerging society in their diaries, letters and journals; and many of them, like the fulminating Frances Trollope, were brutally and offensively honest in their accounts of the New World. They provide an insight into an America which is barely recognizable today whilst their writings set down a diverse and lively assortment of personal travel accounts. This book compares the impressions of a group of discerning and prominent Europeans from the cultural sphere - from the writers Charles Dickens, William Makepeace Thackeray and Oscar Wilde to luminaries of music and theatre such as Tchaikovsky and Fanny Kemble. Their reactions to the New World are as revealing of the European and American worlds as they are colourful and varied, providing a unique insight into the experiences of nineteenth century travelers to America.

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