In this masterful experiment in truly comparative literary criticism, Alfred J. Mac Adam establishes Latin America's place in the Western literary tradition. By juxtaposing Latin American and Anglo-American texts, he shows how Latin American literature has gone beyond the context of Hispanic letters to borrow from, exploit, and finally extend the Western tradition. Mac Adam describes the changes that have taken place in Latin American literature since the time of Modernismo (roughly 1880-1920), when Spanish American writers tried to update their literary language by imitating foreign, mostly French, literature. Since then, as he demonstrates, Latin American writing has achieved a pioneering status by means of a different kind of imitation—parody—whereby it gives back to the former centers of Western culture their own writing, now distorted and reshaped into something new.

In an innovative contribution to the challenging of disciplinary boundaries, Edward J. Ahearn juxtaposes works of literature with the writings of social scientists to discover how together they illuminate city life in ways that neither can accomplish separately. Ahearn's argument spans from the second half of the nineteenth century in Western Europe to the present-day United States and encompasses a wide range of literary genres and sociological schools. For example, Charles Baudelaire's essays on the city are viewed alongside the work of Emile Durkheim and Georg Simmel; Bertolt Brecht's Jungle of Cities heightens the arguments of Louis Wirth and Robert Park; Richard Wright's Native Son and Saul Bellow's The Adventures of Augie March are re-visioned in tandem with works by William Julius Wilson and others; Herman Melville's "Bartleby the Scrivener" poses a challenge to James Q. Wilson's Bureaucracy; Toni Morrison's historical novel Jazz is buttressed by the career of Robert Moses and the revisionist work of historians Hilary Ballon and Kenneth T. Jackson; and Don DeLillos's Cosmopolis comes into brilliant focus in the light of arguments on world cybercities by David Harvey, Saskia Sassen, and Manuel Cassels. Resisting the temptation to ignore contradictions for the sake of interpretation, Ahearn instead offers the reader a view of the modern city as complex as his subject matter. Here the methodologies and knowledge generated by the social sciences are both complemented and subverted by the experience of city life as portrayed in literature. With its diverse narrative tactics and shifting points of view, which can be as disorienting to the reader as a foreign city is to an arriving immigrant, literature reinforces the importance of method and outlook in the social sciences. Ultimately, Ahearn suggests, neither literature nor the social sciences can capture the experience of urban misery.

Confrontations brings, together in one volume six essays by the distinguished critic René Wellek. Five have been previously published but are now practically unobtainable; one, "German and English Romanticism: A Confrontation," is previously unpublished. The books roam emphasis is on the spread of German philosophical and critical ideas to England and the United States. The first essay examines the differences between German and English Romanticism. In the following essays, Professor Wellek examines the Impact of German philosophy and literary theory on the Ideas of Carlyle and De Quincey. In the final two essays, he considers attitudes held by New England Transcendentalists, especially Emerson, toward German philosophy. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

1. Ontology. 2. Metaphysics. 3. Philosophy, German. 4.Thought and thinking. 5. Philosophy, Asian. 6. Philosophy, Indic. 7. Philosophy, Modern -- 20th century.8. Philosophy, Modern -- 19th century. 9. Practice (Philosophy). 10. Philosophy and civilization. 11. Postmodernism. 12. Nietzsche, Friedrich Wilhelm, 1844-1900. 13. Heidegger, Martin, 1889-1976. 14. Heidegger, Martin, 1889-1976 -- Homes and haunts -- Germany -- Todtnauberg.15. Nagarjuna, 2nd cent. I. Ferrer, Daniel Fidel, 1952-. Written between 2005 and 2011.

A Stanford University Press classic.

Radical abolitionist and freedom-fighter John Brown inspired literary America to confrontation during his short but dramatic career as a public figure in antebellum America. Emerging from obscurity during the violent struggle to determine how Kansas would enter the Union in 1856, John Brown captured the imagination of the most prominent Eastern literary figures following his dramatic, though failed raid on Harper’s Ferry. Impressed by Brown’s forthright defense of his attempt to initiate the end of slavery, Whittier, Whitman, Melville, Longfellow, and Howells responded to the abolitionist with poetic tributes suggesting that Brown was a liberating hero, while Emerson and Thoreau celebrated his effort to inspire the nation to a new moral awareness of the common humanity of all men. Responses, however, were not uniform, as these and other figures debated the merits and meanings of Brown’s actions. This exceptional book sheds new light on how John Brown inspired America’s most significant intellects to take a public stand against the inertia of moral compromise and social degeneracy, bringing the nation to the brink of civil war.

Charles and King have been convinced that their purpose in life now was more important than their past endeavors to bring peace and safety to the world. Those adventures have been vividly told in our previous three publications. Please see the Preface. It had been a year since the publishing of their third book—The Sharp Sword. The accurate research contained therein sharply concluded: that most ancient book in the world, The Bible—all though written by men, must have been inspired by God. Now in this publication, Confrontation, it was found that The Sharp Sword had been having a wide circulation. Organizations had been requesting more information and personal interviews: religious organizations inquired; philosophic groups; atheistic and agnostic believers; even a mythological society had responded. Therefore Confrontation with the world’s religious-philosophic communities became their determination. Their conclusions were of earthshaking importance. They were confident that the Bible clearly discloses God’s purpose in creating and also his activity throughout history and down to this eventful period in which we live. Can these conclusions be true—really? An academic delving into the Bible’s contents; a non emotional, non prejudiced study uncovers real reality which overrides the present superficial reality is that smothering daily life.