Presents more than fifty texts, familiar and rare, about the history, aesthetics, and practice of type design and typography. Includes essays by such leading type masters as Frederic W. Goudy, Hermann Zapf, and Paul Rand. [back cover].

Showing a wide range of examples from first-rate designers across the world, Shaping Text is a primer for graphic designers and typographers.

Should the Byzantine text-type be considered valuable in determining the original text of the New Testament? Does it bear independent witness to ancient readings? Dr. Harry Sturz, in a book published in 1984, maintained that it should be valued and that it could help with finding older readings and thus contribute to our knowledge of and confidence in the text of the Greek New Testament. His position, that the Byzantine text-type should be weighed along with other witnesses to the ancient text, differs from those who dismiss Byzantine manuscripts, which were largely copied later, but also from those who hold that the Byzantine text has priority or even is determinative of what the final reading should be. He uses carefully laid out arguments and numerous specific examples in making his case. This book is divided into two parts. The first outlines the positions both for relying on the Byzantine text and for largely ignoring it. Part two examines the evidence and outlines an argument that neither side of this debate should win the field, but rather that the Byzantine text should be valued, but not made exclusive. Energion Publications is pleased to offer this reprint edition, reproducing the text of the old book exactly, and adding a preface by Dr. David Alan Black. We believe that Dr. Sturz’s arguments provide a strong case and are as relevant today as they were in 1984. We also believe that not just scholars but all believers should be made aware of discussions about the text of Scripture so that they can understand the arguments for the reliability of the text we have today. This book is primarily aimed at students of New Testament textual criticism and at scholars who are seeking to refine their art. The first section especially is accessible to any serious reader. While the second section does include Greek text and excellent references, the main argument is clear and accessible.

Texture - the quality that makes a text 'hang together' as a text - is a key focus of investigation in discourse analysis. This volume provides a systematic overview of recent research on textual resources that are used to construct texture, and on the ways in which these resources are deployed differently in different text types. Theme is the major resource that is explored in the first part of the book. The opening papers set out the current understanding of Theme and explore aspects of the concept which remain controversial in the field. This is followed by an examination of thematic choices in a range of text types. Issues raised include the different kinds of meanings appearing in Theme which are particularly significant for each genre, the ways in which these relate to the broader socio-cultural context, and the ways in which thematic choices interact with other kinds of texturing. In the second part of the collection, the scope widens to include an examination of other resources, particularly the contribution to texture made by patterns of interpersonal choices, in Theme and more broadly across texts as a whole. The volume closes with an overview and illustration of a methodological approach by which our understanding of texturing can be further extended.

Visualizing with Text uncovers the rich palette of text elements usable in visualizations from simple labels through to documents. Using a multidisciplinary research effort spanning across fields including visualization, typography, and cartography, it builds a solid foundation for the design space of text in visualization. The book illustrates many new kinds of visualizations, including microtext lines, skim formatting, and typographic sets that solve some of the shortcomings of well-known visualization techniques. Key features: More than 240 illustrations to aid inspiration of new visualizations Eight new approaches to data visualization leveraging text Quick reference guide for visualization with text Builds a solid foundation extending current visualization theory Bridges between visualization, typography, text analytics, and natural language processing The author website, including teaching exercises and interactive demos and code, can be found here. Designers, developers, and academics can use this book as a reference and inspiration for new approaches to visualization in any application that uses text.

The papers in Tibetan Literary Genres, Texts, and Text Types deepen our knowledge of Tibetan literature. They not only examine particular Tibetan genres and texts (pre-modern and contemporary), but also genre classification, transformation, and reception. Despite previous contributions, the systematic analysis of Tibetan textual genres is still a relatively undeveloped field, especially when compared with the sophisticated examinations of other literary traditions. The book is divided into four parts: textual typologies, blurred genre boundaries, specific texts and text types, and genres in transition to modernity. The introduction discusses previous classificatory approaches and concepts of textual linguistics. The text classes that receive individual attention can be summarised as songs and poetry, offering-ritual, hagiography, encyclopaedia, lexicographical texts, trickster narratives, and modern literature. Contributors include: Franz-Karl Ehrhard, Ruth Gamble, Lama Jabb, Roger R. Jackson, Giacomella Orofino, Jim Rheingans, Peter Schwieger, Ekaterina Sobkovyak, Victoria Sujata, and Peter Verhagen.

The fourth edition, fully revised enlarged and reset in 2012, further updated in 2017. Version 4.3 of the 4th edition (2019) includes many updates; see title page verso for a list of pages.