And, of course, one poem about Texas that is magnificent in its awfulness, "Lasca," with memorable lines like "Scratches don't count/In Texas down by the Rio Grande."".

Toward the close of the last century, the poetry of the Spanish-speaking world was pallid, feeble, almost a corpse. It needed new life and a new direction. The exotic, erratic, revolutionary poet who changed the course of Spanish poetry and brought it into the mainstream of twentieth-century Modernism was Félix Rubén García Sarmiento (1867-1916) of Nicaragua, who called himself Rubén Darío. Since its original publication in 1965, this edition of Darío's poetry has made English-speaking readers better acquainted with the poet who, as Enrique Anderson Imbert said, "divides literary history into 'before' and 'after.'" The selection of poems is intended to represent the whole range of Darío's verse, from the stinging little poems of Thistles to the dark, brooding lines of Songs of the Argentine and Other Poems. Also included, in the Epilogue, is a transcript of a radio dialogue between two other major poets, Federico García Lorca of Spain and Pablo Neruda of Chile, who celebrate the rich legacy of Rubén Darío.

Poet and cartoonist Austin Kleon has discovered a new way to read between the lines. Armed with a daily newspaper and a permanent marker, he constructs through deconstruction—eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of "found art," Newspaper Blackout will challenge you to find new meaning in the familiar and inspiration from the mundane. Newspaper Blackout contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry.

"'Discovering Texas History' is a historiographical reference book that will be invaluable to teachers, students, and researchers of Texas history. Chapter authors are familiar names in Texas history circles--a 'who's who' of high profile historians. Conceived as a follow-up to the award winning (but increasingly dated) 'A Guide the History of Texas' (1988), 'Discovering Texas History' focuses on the major trends in the study of Texas history since 1990. In part one, topical essays address significant historical themes, from race and gender to the arts and urban history. In part two, chronological essays cover the full span of Texas historiography from the Spanish era to the modern day. In each case, the goal is to analyze and summarize the subjects that have captured the attention of professional historians so that 'Discovering Texas History' will take its place as the standard work on the history of Texas history"--

The most inclusive single-volume anthology of Latin American poetry intranslation ever produced.

There are moments in this life that change everything—some in our control, some not, but all shape the core of who we are; who we become. Every action, every event, has its own reaction that rearranges the stars, putting the sisters of Fate and Choice in constant question. This collection embraces those changes, opens them up, rolls them into the delicious magic of this unpredictable, glorious world. A long observer of the natural world, karla k. morton does not believe in coincidences, but believes every word and step and observation has meaning and guides us. Just as the creation of the Minotaur was the gods’ doing, there is beauty in the monster; there is reason and magic in its very existence. How lucky we are to be able to grow old enough to witness such revelations. Morton’s poetry guides us through the landmarks—the highs, the lows, creating an exquisite world within an ever-changing landscape of chaos. The Margaret Lea Houston Series ... from “Pentimento” I have a few regrets, but not one of them is loving you.