The art of furniture making flourished in Texas during the mid-nineteenth century. To document this rich heritage of locally made furniture, Miss Ima Hogg, the well-known philanthropist and collector of American decorative arts, enlisted Lonn Taylor and David B. Warren to research early Texas Furniture and its makers. They spent more than a decade working with museums and private collectors throughout the state to examine and photograph representative examples. They also combed census records, newspapers, and archives for information about cabinetmakers. These efforts resulted in the 1975 publication of Texas Furniture, which quickly became the authoritative reference on this subject. Now updated with an expanded Index of Texas Cabinetmakers that includes information that has come to light since the original publication and corrects errors, Texas Furniture presents a catalog of more than two hundred pieces of furniture, each superbly photographed and accompanied by detailed descriptions of the piece’s maker, date, materials, measurements, history, and owner, as well as an analysis by the authors. The book also includes chapters on the material culture of nineteenth-century Texas and on the tools and techniques of nineteenth-century Texas cabinetmakers, with a special emphasis on the German immigrant cabinetmakers of the Hill Country and Central Texas. The index of Texas cabinetmakers contains biographical information on approximately nine hundred men who made furniture in Texas, and appendices list information on the state’s largest cabinet shops taken from the United States census records.

The art of furniture making flourished in Texas during the mid-nineteenth century. To document this rich heritage of locally made furniture, Miss Ima Hogg, the well-known philanthropist and collector of American decorative arts, enlisted Lonn Taylor and David B. Warren to research early Texas furniture and its makers. After more than a decade of investigation, they published Texas Furniture in 1975, and it quickly became the authoritative reference on this subject. An updated edition, Texas Furniture, Volume One, was issued in the spring of 2012. Texas Furniture, Volume Two presents over 150 additional pieces of furniture that were not included in Volume One, each superbly photographed in color and accompanied by detailed descriptions of the piece’s maker, date, materials, measurements, history, and owner, as well as an analysis by the authors. Taylor and Warren have also written a new introduction for this volume, in which they amplify the story of early Texas furniture. In particular, they compare and contrast the two important traditions of cabinetmaking in Texas, Anglo-American and German, and identify previously unknown artisans. The authors also discuss nineteenth-century Texans’ desire for refinement and gentility in furniture, non-commercial furniture making, and marquetry work. And they pay tribute to the twentieth-century collectors who first recognized the value of locally made Texas furniture and worked to preserve it. A checklist of Texas cabinetmakers, which contains biographical information on approximately nine hundred men who made furniture in Texas, completes the volume.

For serious furniture collectors, Danish is more than a pastry-it's an art form. Twentieth century Danish furniture design is simple and clean., mixes well with other design styles, and has an inherent value and history beyond its beauty. In Modern Danish, Andrew Hollingsworth explores the history of Danish design, from the earliest cabinetmakers' guilds in the 1770s through the impact of two world wars, and its evolution into the twentieth century. The book includes photographic surveys of Danish Modern furniture in homes across the Unites States; a market guide with tips, facts and resources that includes discussions of veneer vs. solid wood, places to find Danish Modern furniture, and a guide to caring for it; and an extensive resource section.

In a collection of essays about Texas gathered from his West Texas newspaper column, Lonn Taylor traverses the very best of Texas geography, Texas history, and Texas personalities. In a state so famous for its pride, Taylor manages to write a very honest, witty, and wise book about Texas past and Texas present. Texas, My Texas: Musings of the Rambling Boy is a story of legacies, of men and women, times, and places that have made this state what it is today. From a history of Taylor’s hometown, Fort Davis, to stories about the first man wounded in the Texas Revolution, (who was an African American), to accounts of outlaw Sam Bass and an explanation of Hill Country Christmases, Taylor has searched every corner of the state for untold histories.Taylor’s background as a former curator at the Smithsonian National Museum becomes apparent in his attention to detail: Roosevelt’s Rough Riders, artists, architects, criminals, the founder of Neiman Marcus, and the famous horned frog “Old Rip” all make appearances as quintessential Texans. Lonn Taylor’s unique narrative voice is personal. As he points out in the foreword, it is the stories of Texans themselves, of their grit and eccentricities, that have “brought the past into the present . . . the two seem to me to be bound together by stories.” People—real Texans—are the focus of the essays, making Texas, My Texas a rite of passage for anyone who claims Texan heritage. There are just a few things every good Texan “knows,” like the fact that it is illegal to pick bluebonnets along the highway, or that the Menger Hotel bar is modeled after the one in the House of Lords in London. Taylor points out with his usual wit that it is not, in fact, illegal to pick any of the six varieties of bluebonnets that grow throughout our state, and that few Texans would know that the bar is modeled after the one in the House of Lords, as few Texans are Lords. These are just a few examples of Taylor’s knowledge of Texas and his passion for its citizens.

Michael Harker’s goal is to record Iowa’s historically significant architecture before it disappears forever. From Coon Center School no. 5 in Albert City to Pleasant Valley School in Kalona, North River School in Winterset to Douglas Center School in Sioux Rapids, and Iowa’s first school to Grant Wood’s first school, he has achieved this goal on a grand scale in Harker’s One-Room Schoolhouses.

"More examples of Texas' rich heritage of locally made nineteenth-century furniture and information on the craftsmen who produced it"--

Volume I. Quilts and textiles, Ceramics, Silver, Weaponry, Furniture, Vernacular architecture, Native American art -- volume II. Photography, Fine art.