This is a society that you join because you want to. The purpose of the society is to collect and make known to he public sons and ballads, superstitions, games, plays, and proverbs.

This is a society that you join because you want to. The purpose of the society is to collect and make known to he public sons and ballads, superstitions, games, plays, and proverbs.

The Texas Folklore Society is one of the oldest and most prestigious organizations in the state. Its secret for longevity lies in those things that make it unique, such as its annual meeting that seems more like a social event or family reunion than a formal academic gathering. This book examines the Society's members and their substantial contributions to the field of folklore over the last century. Some articles focus on the research that was done in the past, while others offer studies that continue today. This book does more than present a history of the Texas Folklore Society: it explains why the TFS has lasted so long, and why it will continue.

This is a society that you join because you want to. The purpose of the society is to collect and make known to he public sons and ballads, superstitions, games, plays, and proverbs.

Francis Edward Abernethy served as the Secretary-Editor of the Texas Folklore Society for 33 years. He played an integral part in the process of moving the headquarters from the University of Texas to Stephen F. Austin State University in 1971; for more than three decades, he managed the organization’s daily operations and helped it continue to grow—sometimes through lean years, both financially and in terms of academic interest. In addition to fostering many new members and guiding their contributions to folklore scholarship, his editorial accomplishments were substantial. In all, he edited two dozen volumes of the PTFS series, including the three volumes he wrote himself that serve as the Society’s history, from its beginning in 1909 up until the year 2000. While some publications during his tenure as Secretary-Editor may list the name of another writer (for an Extra Book) or a guest editor (for a special-topic PTFS), he most assuredly provided critical and creative input regarding the style, layout, content, and other aspects of the manuscript to make sure it was worthy of being identified as a TFS book. This Publication of the Texas Folklore Society celebrates Ab Abernethy’s many years of leadership and dedication to collecting, preserving, and presenting the folklore of Texas and the Southwest. Ab’s contributions to the Society’s publications cover a variety of topics. Here, they’ve been organized into some basic categories that serve as chapters. The prefaces to some of the more memorable volumes he edited are included, along with articles he wrote on music, teaching folklore, interesting anecdotes about historical figures and events, and a generalized category of articles on “cultural” examinations of the things we hold dear. In all, these pieces tell us what was important to Ab. In part, it also seems fair to say that these topics are what was—and still is—reflective of what’s important to the Texas Folklore Society.

Drawing on archives and oral histories, a detailed account of graduate folklore programs in American and Canadian academic institutions. To ensure continuity and foster innovation within the discipline of folklore, we must know what came before. Folklore in the United States and Canada is an essential guide to the history and development of graduate folklore programs throughout the United States and Canada. As the first history of folklore studies since the mid-1980s, this book offers a long overdue look into the development of the earliest programs and the novel directions of more recent programs. The volume is encyclopedic in its coverage and is organized chronologically based on the approximate founding date of each program. Drawing extensively on archival sources, oral histories, and personal experience, the contributors explore the key individuals and central events in folklore programs at US and Canadian academic institutions and demonstrate how these programs have been shaped within broader cultural and historical contexts. Revealing the origins of graduate folklore programs, as well as their accomplishments, challenges, and connections, Folklore in the United States and Canada is an essential read for all folklorists and those who are studying to become folklorists.

Juneteenth Texas reflects the many dimensions of African-American folklore. The personal essays are reminiscences about the past and are written from both black and white perspectives. They are followed by essays which classify and describe different aspects of African-American folk culture in Texas; studies of specific genres of folklore, such as songs and stories; studies of specific performers, such as Lightnin' Hopkins and Manse Lipscomb and of particular folklorists who were important in the collecting of African-American folklore, such as J. Mason Brewer; and a section giving resources for the further study of African Americans in Texas.