"A detailed historical narrative of the U.S. energy crisis in the 1970s and how policymakers responded to the turmoil"--

"Powerline describes the opposition of rural Minnesotans to the building of a high voltage powerline across 430 miles of farmland from central North Dakota to the Twin Cities suburbs. Convinced that the safety of their families and the health of their land was disregarded in favor of the gluttonous energy consumption of cities, the farmer-led revolt began as questioning and escalated to rampant civil disobedience, peaking in 1978 when nearly half of Minnesota's state highway patrol was engaged in stopping sabotage of the project."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Arriving in 1978, hitched to the back of the Sex Pistols tour bus, punk soon became as mythic in Texas as the state's devotion to football, cattle, and prayer. Confrontational renegades like the Huns, the Big Boys, and the Dicks led a defiant new era of blood, sweat, and cross-dressing cowboys. Austin son Pat Blashill grabbed a camera and began shooting local punk bands, uncovering a story of desperation and creative deliverance, set in trailer parks, low-rent shared housing, and wild, Texas bucket-of-beer bars.Along the trail Blashill befriended and photographed the Big Boys, the Dicks, Butthole Surfers. Poison 13, the Hickoids, the Offenders, Scratch Acid, Daniel Johnston, Doctors' Mob, Glass Eye, and others. As Austin became a mecca for live music, he captured equally iconic images of touring bands including Sonic Youth, Devo, Samhain, Soul Asylum, the Replacements, and the Dead Kennedys. More than two hundred of Blashill's deep black and white photos are joined here by essays from director Richard Linklater (Slacker/School of Rock); singer David Yow (Scratch Acid/Jesus Lizard); drummer Teresa Taylor (Butthole Surfers); and local luminaries Adriane "Ash" Shown and Donna Rich. True mavericks banded together to make a stand, and?Texas Is the Reason.