The natural beauty of Austin, Texas, has always been central to the city's identity. From the beginning, city leaders, residents, planners, and employers consistently imagined Austin as a natural place, highlighting the region's environmental attributes as they marketed the city and planned for its growth. Yet, as Austin modernized and attracted an educated and skilled labor force, the demand to preserve its natural spaces was used to justify economic and racial segregation. This effort to create and maintain a "city in a garden" perpetuated uneven social and economic power relationships throughout the twentieth century. In telling Austin's story, Andrew M. Busch invites readers to consider the wider implications of environmentally friendly urban development. While Austin's mainstream environmental record is impressive, its minority groups continue to live on the economic, social, and geographic margins of the city. By demonstrating how the city's midcentury modernization and progressive movement sustained racial oppression, restriction, and uneven development in the decades that followed, Busch reveals the darker ramifications of Austin's green growth.

On September 8, 1900, a devastating hurricane destroyed most of the island city of Galveston, along with the lives of more than 6,000 men, women, and children. Today that hurricane remains the deadliest natural disaster in U.S. history. Despite this tragedy, many Galvestonians were determined to rebuild their city. An ambitious plan was developed to construct a wall against the sea, link the island to the mainland with a reliable concrete bridge, and raise the level of the city. While the grade was raised beneath them, houses were perched on stilts and residents made their way through town on elevated boardwalks. Galveston became a "city on stilts." While Galvestonians worked to rebuild the infrastructure of their city, they also continued conducting business and participating in recreational activities. Zeva B. Edworthy's photographs document the rebuilding of the port city and life around Galveston in the early 1900s.

On July 20, 1969, humanity paused with attention locked to television and radio broadcasts as the astronauts of the Apollo 11 mission dramatically touched down on the dusty face of the moon. The first word from the lunar surface: Houston. Houston, Space City USA is a visual celebration of the city’s historic ties to the US human space program. When President Kennedy declared, “We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard,” he did so from the campus of Rice University. More than half a century later, Houston continues to serve as the nerve center of the American human space program. Author and photographer Ray Viator, a longtime Houstonian, has lovingly captured the spirit of a city’s devotion to space exploration from then to now. Using striking photographs of the full moon as a visual motif of Houston’s connection to spaceflight, Viator also weaves together historic images to show how former cow pastures transformed into mission control. Some connections are obvious—the Houston Astros or the Houston Rockets. Others are hidden in plain sight, like the arm patches on the uniform of every Houston police officer that read, “Space City U.S.A.” Viator’s lens captures this and more. Houston, Space City USA not only marks the important milestone of the first lunar landing, but it also helps readers discover and rediscover a city’s constellation of connections to one of humankind’s greatest achievements. The author's proceeds from the sale of this book will benefit Houston Public Media.

Prison City looks beneath the placid surface of Huntsville, Texas, execution capital of the world, and sheds light on controversial issues usually hidden behind penitentiary walls. The authors draw on a multitude of voices from the community surrounding the prison - from inmates and guards to neighboring residents and local politicians - to reflect on questions of crime and punishment, vengeance, and forgiveness. We see how the sophisticated communication techniques employed by inmates, information officers, and community leaders shape opinions in the small towns where prisons are a principal industry. The poignant, evocative stories that run throughout the book highlight the incarcerated population's increasing influence in the political, cultural, and economic landscape in the United States. Most of all, Prison City offers opportunities to understand why the Texas justice system has become a global metaphor for incarceration and capital punishment.

A native Texan who lived and worked in the Austin area for more than twenty years, Joshua Long is Assistant Professor of Social Sciences at Franklin College Switzerland in Lugano, Switzerland. --Book Jacket.