In the second book in #1 New York Times bestselling author Sandra Brown’s beloved Texas! trilogy, readers meet another son of the troubled Tyler clan—Chase Tyler, a man hardened by life and desperately trying to outrun the sorrows of his past. Chase Tyler has been the object of Marcie Johns’s desire since grade school. But when it came time to settle down, the handsome, laconic cowboy chose another woman to be his bride. Life was good for Chase—until things took an abrupt and tragic turn. Ravaged by grief, Chase has become a lost and embittered soul, a man without purpose, compassion, or hope. Then fate intercedes, reuniting Chase and Marcie, who was an unwitting player in Chase’s unfathomable family tragedy. Guilt weighs heavily on Marcie, but she’s also convinced that only the strength of her love can pull Chase back from the abyss. She’s willing to risk everything on a daring plan to rescue his business, save his life, and bring them together at last.

Following a suspicious fire at his family's ranch, ladies' man Lucky Tyler, framed by old enemies, must find Devon Haines, the beautiful redhead he had rescued at a seedy bar and his only alibi in proving his innocence, in a new edition of the classic romance novel. 100,000 first printing.

The low-slung brick home that architect John Saunders Chase completed for his own family in 1959 was Houston’s first modernist house with a true interior courtyard, a form with which other progressive architects were only starting to experiment. It was equally radical that he built it at all. When Chase graduated from The University of Texas School of Architecture in 1952—the first African American to do so—no Houston architecture firm would hire him. Chase petitioned the state for special permission to take the licensing exam, becoming the first African American registered as an architect in Texas. By 1959, he ran his own thriving firm and had established a position of remarkable influence in Houston’s social, political, and economic life. The Chase Residence, in both its original version and after a fundamental alteration undertaken in 1968, is a testament to Chase’s accomplishments. Beautifully illustrated, John S. Chase—The Chase Residence examines how the architecture of this seminal but little-known house frames the life lived within it. It places the house in the larger context of Chase’s architectural career and his times. The book is also intended for readers broadly interested in the relationship between American architecture and society.

In sunbaked Terlingua, Texas (pop., a few hundred), residents joke that there is a musician under every rock. Located ten miles from Mexico in one of the remotest corners of the United States, the town had a recording studio before it had a school, a well-stocked grocery store, or even a water utility. Open jam sessions are a daily ritual, and some songwriters make a living from their craft despite being thousands of miles from New York or Nashville. Why does such a tiny and isolated place ring with singing and guitars? Based on more than two years of on-the-ground research, On the Porch tells the story of this small but remarkable community. Chase Peeler invites us into the music, introducing us to a cast of characters as unique as the town itself. He reveals how novices and experts perform together—a rarity in contemporary America. He recounts the devastation brought on by a border closure and describes how music is once again uniting people across the Rio Grande. He considers the impact of gentrification in an off-the-grid paradise, and how this threatens to transform a precarious musical ecosystem. On the Porch is a celebration of human musicality, of the role that music plays and can play in our lives, both in Terlingua and beyond.

Hank Lacayo Best Labor Themed Book, International Latino Book Awards Best Book Award, Division of Critical Criminology and Social Justice, American Society of Criminology In the early twentieth century, the brutality of southern prisons became a national scandal. Prisoners toiled in grueling, violent conditions while housed in crude dormitories on what were effectively slave plantations. This system persisted until the 1940s when, led by Texas, southern states adopted northern prison design reforms. Texas presented the reforms to the public as modern, efficient, and disciplined. Inside prisons, however, the transition to penitentiary cells only made the endemic violence more secretive, intensifying the labor division that privileged some prisoners with the power to accelerate state-orchestrated brutality and the internal sex trade. Reformers' efforts had only made things worse--now it was up to the prisoners to fight for change. Drawing from three decades of legal documents compiled by prisoners, Robert T. Chase narrates the struggle to change prison from within. Prisoners forged an alliance with the NAACP to contest the constitutionality of Texas prisons. Behind bars, a prisoner coalition of Chicano Movement and Black Power organizations publicized their deplorable conditions as "slaves of the state" and initiated a prison-made civil rights revolution and labor protest movement. These insurgents won epochal legal victories that declared conditions in many southern prisons to be cruel and unusual--but their movement was overwhelmed by the increasing militarization of the prison system and empowerment of white supremacist gangs that, together, declared war on prison organizers. Told from the vantage point of the prisoners themselves, this book weaves together untold but devastatingly important truths from the histories of labor, civil rights, and politics in the United States as it narrates the transition from prison plantations of the past to the mass incarceration of today.

He was everything she despised in a man. So why couldn't she stay out of his arms? This had to be the worst night of Sage Tyler's life. First her fiancé jilts her. Then she has to fly home with Harlan Boyd, the arrogant, drop-dead gorgeous stranger who overheard every word of that humiliating episode—and enjoyed it! All Sage wants is for this sexy, no-account drifter to keep his distance—and keep her broken engagement a secret. But Harlan Boyd has desires of his own... She was the most beautiful, exciting, unpredictable woman Harlan had ever met, and he could barely keep his hands off of her. Yet he tried to stay away, tried to remember that Sage Tyler needed a man who'd convince her of her own worth, not a man who'd be moving on. Then Sage's family business, the Tyler Drilling Company, came under the threat of ruin, and Sage and Harlan suddenly found themselves fighting side by side to save it... in quarters too close to keep passion at bay. Can spoiled, headstrong Sage find love with a man who seems so easy to get and so hard to keep?