The Tewa are a Pueblo Indian group from New Mexico, some of whom migrated around 1700, in the aftermath of the second Pueblo Revolt, to their present location on First Mesa of the Hopi Reservation in northern Arizona. This collection of more than one hundred tales from both New Mexico and Arizona Tewa, first published in 1926, bears witness to their rich cultural history. In addition to emergence and animal stories, these tales also provide an account of many social customs such as wedding ceremonials and relay racing--that show marked differences between the two tribal groups. A comparison of tales from the two divisions of the tribe reveals something of what has happened to both emigrant and home-staying Tewa over two centuries of separation. Yet, while only half of the Arizona tales are distinctly parallel to the New Mexican, additional similarities may be found in such narrative features as the helpfulness of Spider old woman and her possession of medicine, creating life magically under a blanket, or Coyote beguiling girls into marriage. Elsie Clews Parsons was a pioneering anthropologist in the Southwest whose works included the encyclopedic Pueblo Indian Religion. The Tewa tales she gathered for this volume are thus notable not only as fascinating stories that will delight curious readers, but also as authentic reflections of a people less known to scholars.

This collection of more than one hundred tales from both New Mexico and Arizona Tewa, first published in 1926, bears witness to the rich cultural history of this Puebloan people. In addition to emergence and animal stories, the tales also provide an account of many social customs such as wedding ceremonials and relay racing that show marked differences between the two tribal groups.

Retelling of Pueblo folk tales. Illustrated by ten full page color illustrations by San Ildefonso artist Awa Tisreh.

“We travel the world,” writes Gregory McNamee, “and wherever we go there are snake stories to entertain us.” Here are some fifty diverse and unusual accounts of serpents from cultures across time and around the globe: snakes that talk, jump, and dance; snakes that transform into other creatures; snakes that just . . . watch. Many selections are drawn from the rich oral traditions of peoples in every clime that supports reptiles, from the Akimel O’odham of North America to the Mensa Bet-Abrahe of Africa to the Mungkjan of Australia. Included as well are such writings as prayers from the Egyptian Book of the Dead, fairy tales collected by the Brothers Grimm, a poem by Emily Dickinson, and a journal entry by Charles Darwin. What we read about snakes in The Serpent’s Tale is just as fascinating for what it says about us, for there always will be something primordial about our connection to them. That bond is evident in these stories: in how we associate snakes with nature’s elemental forces, how we attribute special qualities to their eyes and skin, and how they preside over all phases of our existence, from creation to death to resurrection.