History was written—England captured Jamaica from the Spaniards under Oliver Cromwell in 1655. Much of this history has been retold by Edward Long, best known for his first socio-economic and political study The History of Jamaica. His polemic supported the enslavement of African and Caribbean people and the monopolies and monocultures played out through the natural environment. These testimonies address some of Long's claims. A slave woman tells of the naming of Catherine's Peak and the erasure of the achievements of Black Jamaicans in the field of natural history. A mystic takes us back to the Spanish occupation. The maroons Juan de Bolas and Juan de Serras grieve their fate and the tragic future that came with sugarcane. These are imaginings of what the people who lived through this wrestling of Jamaica might have said, given the chance.

Coinciding with the bicentenary of the abolition of the British slave trade, this multi-disciplinary volume chronicles the iconography of sugar, slavery, and the topography of Jamaica from the beginning of British rule in 1655 to the aftermath of emancipation in the 1840s. Focusing on the visual and material culture of slavery and emancipation in Jamaica, it offers new perspectives on art, music, and performance in Afro-Jamaican society and on the Jewish diaspora in the Caribbean. Central to the book is "Sketches of Character "(1837-38)--a remarkable series of lithographs by the Jewish Jamaican artist Isaac Mendes Belisario--the earliest visual representation of the masquerade form Jonkonnu. Innovative scholarship traces the West African roots of Jonkonnu through its evolution in Jamaica and continuing transformation today; offers a unique portrait of Jamaican culture at a pivotal historical moment; and provides a new model for interpreting the visual culture of empire.

Horticultural Appropriation is a conversation between an organic food grower and an artist about the possibility and necessity of bringing a decolonial lens to the practice of horticulture. Taking place within West Dean Art College and Gardens, the exchange explores how attempts to decolonise collections and spaces currently happening in arts and cultural institutions might inform the interrogation of the colonial history at the heart of Britain's gardens and gardening.