Traces the tradition of consumer protest and examines the early history of Consumers Union, which started as a working-class-oriented movement and soon evolved into the guiding light of an educated consumer elite. Silber argues that in choosing scientific testing as a means of consumer reform, the Consumers Union changed itself and the consumer movement more than it did American society. He uses three case studies -- reform of automative design, discouragement of smoking, and prevention of the contamination of food by radioactive fallout -- to demonstrate the use of scientific testing in social reform.

A second edition of the classic introduction to arts in social movements, fully updated and now including Black Lives Matter, Occupy Wall Street, and new digital and social media forms of cultural resistance The Art of Protest, first published in 2006, was hailed as an “essential” introduction to progressive social movements in the United States and praised for its “fluid writing style” and “well-informed and insightful” contribution (Choice Magazine). Now thoroughly revised and updated, this new edition of T. V. Reed’s acclaimed work offers engaging accounts of ten key progressive movements in postwar America, from the African American struggle for civil rights beginning in the 1950s to Occupy Wall Street and Black Lives Matter in the twenty-first century. Reed focuses on the artistic activities of these movements as a lively way to frame progressive social change and its cultural legacies: civil rights freedom songs, the street drama of the Black Panthers, revolutionary murals of the Chicano movement, poetry in women’s movements, the American Indian Movement’s use of film and video, anti-apartheid rock music, ACT UP’s visual art, digital arts in #Occupy, Black Lives Matter rap videos, and more. Through the kaleidoscopic lens of artistic expression, Reed reveals how activism profoundly shapes popular cultural forms. For students and scholars of social change and those seeking to counter reactionary efforts to turn back the clock on social equality and justice, the new edition of The Art of Protest will be both informative and inspiring.

Catalog of reports, decisions and opinions, testimonies and speeches.

In the last two decades of the twentieth century, a wave of "people power" movements erupted throughout the nondemocratic world. In South Africa, the Philippines, Nepal, Thailand, Burma (Myanmar), China, and elsewhere, mass protest demonstrations, strikes, boycotts, civil disobedience, and other nonviolent actions were brought to bear on a rigid political status quo. Kurt Schock compares the successes of the antiapartheid movement in South Africa, the people power movement in the Philippines, the pro-democracy movement in Nepal, and the antimilitary movement in Thailand with the failures of the pro-democracy movement in China and the anti-regime challenge in Burma. Schock develops a synthetic framework that allows him to identify which characteristics increase the resilience of a challenge to state repression, and which aspects of a state's relations can he exploited by such a challenge. By looking at how these methods of protest promoted regime change in some countries but not in others, this book provides rare insight into the often overlooked and little understood power of nonviolent action.

An important and original contribution to understandings of the 1930s. Through a comparative case study of south Wales and the north-east of England, the book explores the impact of the highly controversial means test, the relationship between the unemployed and the government and the nature of some of the largest protests of the interwar period.

Explains the character of contemporary protest politics through a micro-mobilization analysis of participation in street demonstrations.

Poland is the only country in which popular protest and mass opposition, epitomized by the Solidarity movement, played a significant role in bringing down the communist regime. This book, the first comprehensive study of the politics of protest in postcommunist Central Europe, shows that organized protests not only continued under the new regime but also had a powerful impact on Poland's democratic consolidation. Following the collapse of communism in 1989, the countries of Eastern Europe embarked on the gargantuan project of restructuring their social, political, economic, and cultural institutions. The social cost of these transformations was high, and citizens expressed their discontent in various ways. Protest actions became common events, particularly in Poland. In order to explain why protest in Poland was so intense and so particularized, Grzegorz Ekiert and Jan Kubik place the situation within a broad political, economic, and social context and test it against major theories of protest politics. They conclude that in transitional polities where conventional political institutions such as parties or interest groups are underdeveloped, organized collective protest becomes a legitimate and moderately effective strategy for conducting state-society dialogue. The authors offer an original and rich description of protest movements in Poland after the fall of communism as a basis for developing and testing their ideas. They highlight the organized and moderate character of the protests and argue that the protests were not intended to reverse the change of 1989 but to protest specific policies of the government. This book contributes to the literature on democratic consolidation, on the institutionalization of state-society relationship, and on protest and social movements. It will be of interest to political scientists, sociologists, historians, and policy advisors. Grzegorz Ekiert is Professor of Government, Harvard University. Jan Kubik is Associate Professor of Political Science, Rutgers University.