How does a so-called bad neighborhood go about changing its reputation? Is it simply a matter of improving material conditions or picking the savviest marketing strategy? What kind of role can or should the arts play in that process? Does gentrification always entail a betrayal of a neighborhood’s roots? Tackling these questions and offering a fresh take on the dynamics of urban revitalization, The Philadelphia Barrio examines one neighborhood’s fight to erase the stigma of devastation. Frederick F. Wherry shows how, in the predominantly Latino neighborhood of Centro de Oro, entrepreneurs and community leaders forged connections between local businesses and cultural institutions to rebrand a place once nicknamed the Badlands. Artists and performers negotiated with government organizations and national foundations, Wherry reveals, and took to local galleries, stages, storefronts, and street parades in a concerted, canny effort to reanimate the spirit of their neighborhood. Complicating our notions of neighborhood change by exploring the ways the process is driven by local residents, The Philadelphia Barrio presents a nuanced look at how city dwellers can make commercial interests serve the local culture, rather than exploit it.

Surrealism, one of the influential movements of the 20th century, had a profound impact on all forms of culture. Containing over 350 illustrations, this book examines its impact in the wider fields of design and the decorative arts and its sometimes uneasy relationship with the commercial world.

This handbook introduces general principles of translation while focusing on translating French and Spanish into English within a conference setting. General principles are elucidated in an introduction, in a postlude entitled &"The Elements of Good Translation,&" and throughout the French and Spanish parts. Part I, Translating from French into English, is organized alphabetically to cover French words and phrases that cannot be translated literally (absence, abuser, adapt&é &à . . .), English locutions with connotations differing from those of their French counterparts (actually, analyze, as well as, also . . . and special problems (abstract nouns, ambiguity, archaisms). Part II, Translating from Spanish into English, has the same alphabetical organization, covering tricky Spanish terms (abordaje, acciones, actitudes. . .), problematic English translations (alternate, although, aspect . . .) and special problems (ambiguity, Anglicisms, dictionaries . . . ). Part II also has an entry under Portuguese, dispelling the assumption that facility in translating Spanish guarantees capability to handle Portuguese.

Introduces treasure hunting; discusses different finds, including King Tut, pirate treasure, and shipwrecks; and explores myths and legends surrounding various treasures.