Now is probably as good a time as any to make a full confession. . . Telling his story for the first time, the director of Time Bandits, Brazil, The Adventures of Baron Munchausen, The Fisher King, 12 Monkeys and Fear and Loathing in Las Vegas - not to mention co-founder of Monty Python's Flying Circus - recalls his extraordinary life so far. Featuring a cast of amazing supporting characters, including George Harrison, Robin Williams, Jeff Bridges, Robert De Niro, Brad Pitt, Uma Thurman, Johnny Depp, Heath Ledger and all of the fellow Pythons, Gilliamesque is a rollercoaster ride through late twentieth century popular culture. Packed with never-before-seen artwork, photographs and commentary.

Terry Gilliam has been making movies for more than forty years, and this volume analyses a selection of his thrilling directorial work, from his early films with Monty Python to The Imaginarium of Doctor Parnussus (2009). This collection argues that when Gilliam makes a movie, he goes to war: against Hollywood caution and convention.

Terry Gilliam talks about the background and development of each of his films, including "Brazil," "Time Bandits," "Twelve Monkeys," "The Fisher King," and "Fear and Loathing in Las Vegas"

Covering the whole of his working life, this collection discusses Gilliam's formative years as an artist/cartoonist, his move from the US to UK, his entry into TV, and his success as resident animator for 'Monty Python's Flying Circus', before following his progression into motion pictures.

Mix one American director with a German producer on a period extravaganza set the locations in Italy and Spain and start the cameras rolling without enough money to do the job. Then sit back and watch disaster strike. That is the scenario Andrew Yule has

A Critical Companion to Terry Gilliam provides a fresh, up-to-date exploration of the director’s films and artistic practices, ranging from his first film Monty Python and the Holy Grail (1975) to his recently released and latest film The Man Who Killed Don Quixote (2018). This volume presents Gilliam as a director whose films weave together an avant-garde cinematic style, imaginative exaggeration, and social critique. Consequently, while his films can seem artistically chaotic and thus have the effect of frustrating and upsetting the viewer, the essays in this volume show that this is part of a very disciplined creative plan to achieve the defamiliarization of various accepted notions of human and social life.