It is broadly accepted that “terrorizing” images are often instrumentalized in periods of conflict to serve political interests. This volume proposes that paying attention to how images of trauma and conflict are described in literary texts, i.e. to the rhetorical practice known as “ekphrasis”, is crucial to our understanding of how such images work. The volume’s contributors discuss verbal images of trauma and terror in literary texts both from a contemporary perspective and as historical artefacts in order to illuminate the many different functions of ekphrasis in literature. The articles in this volume reflect the vast developments in the field of trauma studies since the 1990s, a field that has recently broadened to include genres beyond the memoir and testimony and that lends itself well to new postcolonial, feminist, and multimedia approaches. By expanding the scholarly understanding of how images of trauma are described, interpreted, and acted out in literary texts, this collected volume makes a significant contribution to both trauma and memory studies, as well as more broadly to cultural studies.

Human civilization is founded on ethical principles, norms of behaviour that have accumulated over time. Perhaps the oldest of ethical principles is the rejection of violence, which includes the respect for life and for the physical and psychological integrity of others. But, in some circumstances, violence itself can be regarded as ethical – for example, when it is used by states claiming to act in self-defence. In these circumstances, the need to defend oneself against an enemy can transform war from an unacceptable act into a necessary, socially shared and morally sanctioned choice. And it is when violence becomes ethical that we must begin to fear for our future. In the wake of the pandemic, we are witnessing the growing prevalence of aggression and emotionality in social and political life. We find ourselves living in an increasingly impatient and insecure society, which is sceptical of scientific thought and which takes refuge in the irrational. The decline of rationality and the growing prevalence of violence are increasingly common features of a society that has lost touch with the great Enlightenment narrative. We need, argues Bordoni, to rediscover the rationality we have lost and recuperate the positive side of technology.

This book offers an up-to-date account of one of the most influential strands of eco-research: cognitive ecostylistics. The onset of the 1970s saw a global shift in scholarly perspective upon the relation between egocentric and ecocentric views of the world. The so-called eco-turn was not only linguistic at its roots, but engaged the bulk of academic thought in social sciences and humanities. Cognitive ecostylistics invites a multidisciplinary approach to the study of the conceptual relations between oral or written texts and their impact on the environment. This volume is a collection of the latest research that seeks to apply the theory and methodology developed over the last 40 years to both literary and real-life texts, engaging with a wealth of examples from First World War poetry and Anne of Green Gables through to Condé Nast Traveller hotel descriptions. Exploring the cultural effects of the eco-turn, the collection engages the reader in the problem of the present-day Anthropocene, manifested as Ego-Eco tensions at the level of communicating self-needs and the needs of the Other. Divided into two parts, it considers first the human-angled semiotic interplay contained within the universe of people, before examining the problem of semiotic engagement of texts as extraneous to the human, highlighting crucial aspects of nature, culture, and beyond.

Dead women litter the visual landscape of the 2000s. In this book, Clarke Dillman explains the contextual environment from which these images have arisen, how the images relate to (and sometimes contradict) the narratives they help to constitute, and the cultural work that dead women perform in visual texts.

The Fight With In is a compilation of writings from the time I was a teenager up till now in my thirty's. It's about my own way of processing life events and changes that we face on a day to day basis and as well as life changing events and the struggle between the good and the bad with in us all. From my ink to your eyes, enjoy.

Come join Shakara, a 21 year old black haired beauty in this wild first book adult series in adventures of love, friendship, hurt and deception as she tries to save her young girlfriend, Erin from the entrapment’s of Satan's temple. Witness with Shakara the true face of evil, pain, and unholy sacrifices in honor of Satan. Become squeamish at the rebirth ceremony and nauseated by the replenishment of youth through the sacrificing of children. These and other experiences make for a fascinating trip through the world of the Black Arts. Meet Judas, a young yet powerful high priest at the Satanic Temple, who becomes enchanted with Shakara and turns against Satan and his coven, only to join her in a holy battle that started four hundred years ago between Light and Dark.

Proceedings of the session 'Intellectual and Spiritual Expression of Non-literate Peoples', part of the XVII World UISPP Congress, held in Burgos, 2014. The session brought together experts from various disciplines to share experience and scientific approaches for a better understanding of human creativity and behaviour in prehistory.