This book assesses the key definitions, forms, contexts and impacts of terrorist activity on the arts in the modern era, using historical and contemporary perspectives. Its empirical case studies include theatre, literature, music, visual art, mass media, film and the mores of ‘ordinary life.’ While its immediate reflective context is Islamic fundamentalist terrorism, the book reviews a broader range of definitions and counter-definitions of 'terrorism', 'state terrorism' and 'states of terror,' examining uses of the terms through a series of comparative analyses. Chapters focus on the intersection of these definitional questions with heuristic analysis of art forms, cultural activities and their socio-historical contexts. This book will be of interest to scholars in art history, terrorism, politics and the media, and visual culture.

This book examines the manifestations of terror in the arts. From classical tragedy to post-9/11 responses, terror – as an emotion, violent act, and state of the world – has been a preoccupation of artists in all genres. Using philosophy, art history, film studies, interdisciplinary arts, theatre studies, and musicology, the authors included here delve into this perennially contemporary theme to produce insights articulated in a variety of idioms: from traditional philosophical humanism to phenomenology to feminism. Their approaches may vary, but together they reinforce the notion that terror is a thread in the fabric of artistic expression as much as it has always been and, alas, remains a thread in the fabric of life.

Art in the Age of Terrorism tackles one of the most difficult topics imaginable - a war that is quintessentially postmodern in its decentred identity, globalized character and confused conflict of cultures. In this publication both artists and critics explore in a series of essays the various ways in which art can help articulate the zone of grey that lies behind the black and white term 'terrorism'. A significant number of the texts deal with the theme of 'the unspeakable', from a number of perspectives. An international plurality of voices is offered in this book, addressing key works by artists from New York, Northern Ireland, South Africa, Lebanon and Israel, many of them profoundly moving and poignant. A number of contributors address the problems facing refugees from terror in the post-9/11 era, exploring the cruel logic by which the contemporary refugee from terror is often perceived as a terrorist and treated accordingly.

Offering a salient indictment of the art world's currently fashionable attention to graffiti culture BOMB turns the role of the artist in the 21st century into that of cultural insurgent. BOMB is a call to arms for those who see the current state of the art world as a feckless sham perpetrated on the public by a cynical financial infrastructure fed by commodities traders and art university shareholders.

9/11 has been described as an "absolute event" that radically changed the course of history. It reinforced the opposition between Christian and Muslim worlds and led to the declaration of a unilateral war against a global network of terrorists that broke up the classical definition of war as a war between nation states. Yet, 9/11 also created responses in parts of the world that were not directly involved in the unfolding "war on terror." In Africa, local conflicts were re-mapped into an emerging new geography of anger that also reflects the effects of marginalization in a globalized world. The essays of this volume explore local remediations of 9/11 in African popular culture (posters, photographs, videos, cartoons, etc.) and visual arts. They give evidence of the fundamental ambivalence towards the event of 9/11 and provide insights into the various ways distant conflicts are translated into intense proximities. (Series: African Art and Visual Cultures - Vol. 3) [Subject: African Studies, Cultural Studies, Art]

Presents a collection of anti-war graffiti images from around the world.

Understanding of Operational Counter Terrorism is one serious effort to lay out a comprehensive strategy of how to deal with a whole gamut of possible terrorist incidents by using a language that any person or first responders like policemen, security personnel, firemen, paramedics, etc. can understand. This guide covers everything from bombings and hostage- taking, to NBC (Nuclear, Biological and Chemical) Terrorism, what needs to be done before, during, and after an event. This manual combines what minimally needs to be understood about Operational Counter- Terrorism by the government- level policy maker, while at the same time helping the personnel on the first responder level who are planning to cope with what must at least initially seem like an overwhelming attack. Terrorism is global and any part of this guide can easily be adapted and translated to any region, law and government in the world. This manual should make clear that the only way, to effectively deal with terrorism is to have a thorough understanding of its present-day characteristics such as who is involved and what weapons and tactics are the terrorists likely to be using. The players on the Counter- Terrorism team need to take stock of what is in their tool boxes; what works and what is required; what new capabilities need to be developed in order to face not only today's terrorist, but also tomorrow's as well.