This collection features all of the stories Feldstein created for both of EC Comics' crime and horror titles, including the very first appearances of The Crypt-Keeper and the Vault-Keeper! This volume collects stories Feldstein wrote and drew about "The Machine-Gun Mad Mobsters" and "The Case of the Floating Corpse," as well such horror gems as "The Mummy’s Curse," "The Thing in the Swamp!" and our title story, "Terror Train." Plus: the most unlikely origin story of them all ― the tongue-in-cheek origin of EC Comics itself, in "Horror Beneath the Streets!" There are more than 30 stories in all, with essays and commentary by EC experts.

Two boys, traveling from Chicago to Portland, Oregon, by train, join forces with an elderly mystery writer to investigate a fellow passenger's sudden death.

Jonathan Blake had an appointment with an unknown man near midnight in a disused railway station - but nobody came to meet him. After a long wait, a woman appeared with the unusual excuse that her train had broken down and she had come to catch a relief train. But no passenger trains had run on the line for years. Then, the station began to thunder with the sound of trains and shots from pistols, rifles and machine guns, though it seemed nobody knew who was shooting at whom or why.

The reader selects the adventures he encounters on the train of terror.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Even though horror has been a key component of media output for almost a century, the genre's industrial character remains under explored and poorly understood. Merchants of Menace: The Business of Horror Cinema responds to a major void in film history by shedding much-needed new light on the economic dimensions of one of the world's most enduring audiovisual forms. Given horror cuts across budgetary categories, industry sectors, national film cultures, and media, Merchants of Menace also promises to expand understandings of the economics of cinema generally. Covering 1930-present, this groundbreaking collection boasts fourteen original chapters from world-leading experts taking as their focus such diverse topics as early zombie pictures, post-WWII chillers, Civil Rights-Era marketing, Hollywood literary adaptations, Australian exploitation, "torture-porn" Auteurs, and twenty-first-century remakes.