In the wake of proliferating discourses around globalisation and culture, some central questions around cultural politics have acquired a commonsensical and hegemonic character in contemporary intellectual discourse. The politics of difference, the possibilities of hybridity and the potential of multiple liminalities frame much discussion around the transnational dimensions of culture and post-identity politics. In this volume, the economic, political and social consequences of the focus on ‘culture’ in contemporary theories of globalization are analysed around the disparate fields of architecture, museum discourse, satellite television, dub poetry, carnival and sub-national theatre. The discourses of hybridity, diaspora, cultural difference minoritization are critically interrogated and engaged with through close analysis of cultural objects and practices. The essays thus intervene in the debate around modernity, globalization and cultural politics, and the volume as a whole provides a critical constellation through which the complexity of transnational culture can be framed. Thinking through the particular, the essays limn the absent universality of forms of capitalist globalization and the volume as a whole provides multiple perspectives from which to enter the singular modernity of our times in all its complexity.

With the emergence of immigration in the last thirty years, and the arrival into Italy of people of different races and colors, the bigotry, racism and pernicious stereotypes that have been present since the nation was created in 1861, especially those expressing the North-South divide, have acquired new relevance and stronger dimensions. Bigotry, racism and pernicious stereotypes, present in Italian society are examined through its cinema. This volume offers an informative, challenging and thought-provoking mosaic.

The Big Gamble, first published in 1958, is part of master noir-writer George Harmon Coxes’ “Kent Murdock” suspense series. Murdock, a photographer for a Boston newspaper, inadvertently becomes involved in a case of murder after photographing a traffic accident. From the original publisher’s preface: A day of golf was all Kent Murdock had in mind when he left the office, but a pile-up on the highway made him stop to take a few pictures just as any good news-photographer would have done. Whether or not the three thugs who wanted his films were bluffing Kent never found out because of the blonde who wanted a lift back to town. After that everything seemed to be spinning crazily. A car stolen, then abandoned—a blaring radio in a motel cabin—a twisted figure on the floor—questions that needed answers—and answers that were closer to home than Kent would ever have expected. And which, with the death of another, were to move closer still. The big gambler often goes for double or nothing. So does the murderer. Sometimes the winning streak is hard to break. This new Kent Murdock story is as fast-moving and suspense-filled as any your favorite news-photographer has ever been involved in. It’s top-level detection—and entertainment—all the way.

The socio-discursive landscape surrounding the migration debate is characterised by a growing sense of crisis in both personal and collective identities. From this viewpoint, discourses about immigration are also always attempts at reconstructing the threatened ‘home identity’ of the respective host society. It is such attempts at reasserting identity-in-crisis (due to migration) that are the focus of the volume Migration and Media: Discourses about identities in crisis. This four-part book explores the representational strategies used to frame current migration debates as crises of identity, collective and individual. It features fourteen case-studies of varying sets of data including print media texts, TV broadcasts, online forums, politicians’ speeches, legal and administrative texts, and oral narratives, drawn from discourses in a range of languages – Croatian, English, French, German, Greek, Italian, Lithuanian, Polish, Russian, Serbian, Slovenian, Spanish, and Ukrainian – , and it employs different discourse-analytical methods, such as Argumentation and Metaphor Analysis, Gendered Language Studies, Corpus-assisted Semantics and Pragmatics, and Proximization Theory. Such a diverse range of sources, languages, and approaches provides innovative methodological and theoretical analysis on migration and identity which will be of interest to scholars, students, and policy makers working in the fields of migration studies, media studies, identity studies, and social and public policy. As of January 2023, this e-book is freely available, thanks to the support of libraries working with Knowledge Unlatched.

A young Italian decides to leave his village in Southern Italy and move to England, in this interesting, thought-provoking story.

"Gets right under Italy's skin. Few books about living in foreign climes are written as entertainingly, beautifully or romantically." -- Sydney Morning Herald WINNER OF THE GROLLO RUZZENE FOUNDATION PRIZE When Chris travelled from Sydney to Dublin, he never dreamed his life was about to change forever. There he meets Daniela - one L, smile as you say it to pronounce it correctly - and it's amore at first sight. Before he can say si, he's uprooted to follow her to her sun-kissed hometown of Andrano, Puglia, tucked in the heel of southern Italy. The whitewashed houses, olive groves and cobblestone lanes are beautiful, but soon Chris is getting to grips with everyday Italian life. There's infuriating bureaucracy, an anarchic road system and - biggest challenge of all - Daniela's mamma, who's determined to convert him to the Catholic faith and build an extension on her house where the couple might live la dolce vita.