After Earth tries to destroy Marseguro, home to a small colony of unmodified humans and the Selkies, a water-dwelling race, the remaining survivors prepare to rebuild their world until a traitor steals a plague that can destroy all life on the mother planet. Original.

Now in mass market, the second book in a gripping portal fantasy series by an Aurora Award-winning author, in which one woman's powers open the way to a labyrinth of new dimensions. Shawna Keys has fled the world she only recently discovered she Shaped, narrowly escaping death at the hands of the Adversary who seized control of it...and losing her only guide, Karl Yatsar, in the process. Now she finds herself alone in some other Shaper's world, where, in her first two hours, she's rescued from a disintegrating island by an improbable flying machine she recognizes from Jules Verne's Robur the Conqueror, then seized from it by raiders flying tiny personal helicopters, and finally taken to a submarine that bears a strong resemblance to Captain Nemo's Nautilus. Oh, and accused of being both a spy and a witch. In the meantime, she has to navigate a world where two factions fanatically devoted to their respective leaders are locked in perpetual combat, figure out who the Shaper of the world is, find him or her, and obtain the secret knowledge of this world's Shaping. Then she has to somehow reconnect with Karl Yatsar, and escape to the next Shaped world in the Labyrinth...through a Portal she has no idea how to open.

The third book in the Worldshaper portal fantasy series by an Aurora Award-winning author, in which one woman's powers open the way to a labyrinth of new dimensions. Fresh from their adventures in a world inspired by Jules Verne, Shawna Keys and Karl Yatsar find themselves in a world that mirrors much darker tales. Beneath a full moon that hangs motionless in the sky, they’re forced to flee terrifying creatures that can only be vampires…only to run straight into a pack of werewolves. As the lycanthropes and undead battle, Karl is spirited away to the castle of the vampire queen. Meanwhile, Shawna finds short-lived refuge in a fortified village, where she learns that something has gone horribly wrong with the world in which she finds herself. Once, werewolves, vampires, and humans lived there harmoniously. Now every group is set against every other, and entire villages are being mysteriously emptied of people. Somehow, Karl and Shawna must reunite, discover the mysteries of the Shaping of this strange world, and escape it for the next, without being sucked dry, devoured, or—worst of all—turned into creatures of the night themselves. Beneath the frozen, gibbous moon, allies, enemies, surprises, adventures, and unsettling revelations await.

Having saved the first Shard of the sword Excalibur from internet mogul Rex Major (aka Merlin), Ariane and Wally are on the lookout for the second. Wally’s worried that the power of the first Shard is already changing Ariane, giving her the strength to do both good and evil...and when she seriously hurts his bullying sister Flish, it seems he might be right.

This new novel from an Aurora Award-winning author presents a sci-fi caper of high-stakes interstellar travel. More than a century ago, the network of MASTTs, the space-time tunnels that made interstellar travel possible, violently collapsed, the backlash destroying a lot of the solar system’s space-based infrastructure. Cooper “Coop” Douglas, a thief and conman, is in serious debt to outer-system crime-lord Eric Galioto. While trying to salvage a valuable chunk of a space station destroyed by the backlash, Coop makes a startling discovery: MASTT Primus, the tunnel that used to lead to New Earth, is open again. That raises an intriguing possibility: Coop could flee the solar system and his debt to Galioto and make a new life—and possibly fortune—around another star. Accompanied by his first mate, the wisecracking, AI-uplifted, genetically modified cat Thibauld, Coop sets out to “liberate” the solar system’s only remaining functioning starship from an Earthside museum, enlisting the help of Laysa Grey, a former-lover-turned-cop on Luna. Along the way, he is pursued by Galioto and dogged by law enforcement and thugs. And beyond MASTT Primus, the tangled stars await . . .

This study introduces the history, themes, and critical responses to Canadian fantastic literature. Taking a chronological approach, this volume covers the main periods of Canadian science fiction and fantasy from the early nineteenth century to the first decades of the twenty-first century. The book examines both the texts and the contexts of Canadian writing in the fantastic, analyzing themes and techniques in novels and short stories, and looking at both national and international contexts of the literature’s history. This introduction will offer a coherent narrative of Canadian fantastic literature through analysis of the major texts and authors in the field and through relating the authors’ work to the world around them.

Falcon’s Egg, the sequel to Right to Know, is a fast-paced action adventure. Discovering a plot to reassert Imperial control over the recently rediscovered Peregrine, Lorn Kymbal tracks the conspirators into the deepest and most dangerous reaches of the planet and beyond. Kymbal, a veteran of the war of liberation that almost costs his life, fights killer robots and his own inner demons as he tries to win freedom for himself and his planet. Praise for Falcon's Egg “Falcon’s Egg by Edward Willett is space opera/action-adventure novel in the grand tradition, full of interplanetary intrigue, chases through the abandoned bowels of giant spaceships, and shootouts with everything from shotgun shells to beam weapons. Oh, and there’s an army of evil robot spiders. This book is a fun, easy read, and I got through it in two nights.” – Ty Black, Dark Futures Fiction "In Falcon’s Egg, Edward Willett takes on the notion of heroism itself, exploring the casualties of war and the results of battle on the psychology of the protagonist who has endured the traumas of war. Falcon’s Egg is a text of revolution, a war narrative with a bit of frontier ideologies since it is set on an alien world that is in conflict with the more technologically developed centrist planets. However, unlike most exploration, war, revolution, and adventure narratives who uncritically cast the hero as a figure who is above trauma, Willett’s narrative explores the toll that heroism takes on the mind of the hero as well as the toll that it takes on human lives and society.” – Derek Newman-Stille, Speculating Canada