Para Desarmar la Palabra: Diccionario de Terminos del Conflicto y de la Paz (Disarming Speech: Dictionary of Terms on Conflict and Peace) / 1999.

Son muy diversos los discursos que a diario oímos sobre la paz. La paz, como palabra y concepto no es un término neutro, ella surge de situaciones concretas de temor y angustia cuando vemos amenazada nuestra estabilidad y la convivencia humana. La paz ya no es entendida como ausencia de guerra o de violencia, ella adquiere un sentido más holístico, cuyo significado ha evolucionando hacia un carácter integrador de estado de bienestar y seguridad que involucra el respeto a los Derechos Humanos, la protección al medio ambiente y la satisfacción de la necesidades básicas en materia de alimentación, vivienda y salud.

"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.