This handy book shows all of the basic banjo chords in photo and diagram form. the front of the book contains a section of bluegrass G-tuning chords, and the remainder contains C-tuning.

This picture/diagram chord book shows all of the basic chords for four-string or tenor banjo. for all of the major, minor, seventh, diminished, augmented, and ninth chords there is a photo of the fingering on the banjo fretboard and a diagram. Major seventh, minor seventh, sixth, minor sixth, seventh augmented fifth, and seventh diminished fifth chords are shown in diagram form only. the introduction discusses how to hold the banjo, tuning (low to high C- G-D-A), and more. Also suitable for mandola.

(Banjo). Tenor and plectrum banjos are key ingredients of Dixieland jazz music. The bright percussive chord strums and flashy tremolo picking glissandos help define the genre. In the 1920s, when Dixieland jazz was at its zenith, the four-string banjo was the fretted instrument of choice because it could easily be heard above the simultaneous improv of the band's clarinet, cornet, saxophone, and trombone frontline. (Electric guitars were not invented until a decade later.) The chord voicings in these expertly crafted arrangements were selected so that the melody notes were always within reach to enable the user to play chord/melody style if desired. The lead sheets consist of lyrics and two sets of chord diagrams tenor and plectrum positioned throughout the arrangements. This collection of 45 songs includes: Ain't Misbehavin' * Alexander's Ragtime Band * Basin Street Blues * Bill Bailey, Won't You Please Come Home * Honeysuckle Rose * I Got Rhythm * Lazy River * St. Louis Blues * Sweet Georgia Brown * 'Way down Yonder in New Orleans * and more.

A quick-reference guide to bluegrass G-tuning banjo chords, plus a fingerboard diagram showing the location of the notes on the banjo fingerboard.

The finest tenor banjo method available, this text represents Mel Bay's ownapproach to fundamental musicianship for those desiring to play tenor banjo. This book is the standard by which others are judged. Easy-to-understand and thorough in its approach, this method addresses both melody playing and chord strumming. Through numerous studies, folk songs and several duets, students are systematically introduced to the various notes and positions on the tenor banjo fretboard. Photos of the fretboard fingertips aid in learning the proper hand positions. Once in two volumes, this method is now presented it its entirety in thissingle comprehensive edition. In notation only. Tuned for Mandola

No longer confined to basic folk genres, any mandolinist aspiring to a broader comprehension of music, including swing, blues, pop, choro, broadway, and even classical can expand his/her playing and through a working knowledge of jazz fundamentals. This breakthrough approach in mandolin pedagogy takes four uncomplicated fretboard patterns (FFcP) and drills a physical familiarity into the player's fingers, softening the fear of upper frets and prepares for the harmonic alterations necessary for effective and intuitive playing of more complex contemporary music.A brief introduction into modes, the player is eased into jamming with audio accompaniment (CD), and eventually an initiation into the most fundamental jazz chord progression of all, the 'ii V7 I' pattern. from the horizontal (melody) to the vertical (chords) and back, the results are a both instinctive and physical grasp of tonal centers and the improvisational fodder of effective performing. an emphasis on pinky strength, finger control and sustain, the book's exercises also develop the player's concepts of tone and melody. Further supportive resources including MP3 audio tracks are also available on the internet. http://www.jazzmando.com/webtracks.shtml