Explores ghosts and haunted places, local legends, cursed roads, crazy characters, and unusual roadside attractions found in the United States.

But all the kids are wearing them! Any child who has ever craved something out of reach will relate to this warm, refreshingly realistic story. Features an audio read-along. "I have dreams about those shoes. Black high-tops. Two white stripes." All Jeremy wants is a pair of those shoes, the ones everyone at school seems to be wearing. But Jeremy’s grandma tells him they don’t have room for "want," just "need," and what Jeremy needs are new boots for winter. When Jeremy’s shoes fall apart at school, and the guidance counselor gives him a hand-me-down pair, the boy is more determined than ever to have those shoes, even a thrift-shop pair that are much too small. But sore feet aren’t much fun, and Jeremy comes to realize that the things he has -- warm boots, a loving grandma, and the chance to help a friend -- are worth more than the things he wants.

Many people as what the truth are. Don’t look at it as man’s knowledge. There is a high power that is the truth, and it goes beyond us. There is also a power that claims to be the high power. That’s a hidden or camouflaged lie. Knowing and being a doer of the truth can be a wonderful journey to follow; it’s even free! That high power paid a price for us, so we can become a member of that but from free- will it will disconnect us from the claim to be power. Our price to pay, and it is for ever and ever. Also, unconditional love and forgiveness plays a role for us. Also, unconditional love and forgiveness plays a role for us. Then we are an asset to the high power, and we receive blessings.

The barn-tall old plainswoman Susannah DeClare braves deep snow and icy weather to fulfill her promise to deliver a load of handmade shoes to Chagrin Falls, Ohio, by Christmas.

For use in schools and libraries only. Horrified by the people who have come to cut down their forest homeland, Aani amd other women from her village try to make them understand how important the trees are, and a single act of bravery helps save the forest

The kids are in for a treat when their parents leave them with a babysitter who is truly out of this world--an alien! A Golden Duck Notable Picture Book When their parents go out for the evening, a brother and sister are left with a babysitter unlike any they've ever had before--an alien from another planet! But even though she seems a little strange, the kids quickly see that this babysitter can make anything fun...even brushing their teeth and doing their homework. This story is literally E.T. meets Mary Poppins, and as soon as the Babysitter from Another Planet is gone, the kids can't wait for her to come back again. With references to everything from '50s Science Fiction movies (sure to produce a chuckle from knowing parents) to ET, bestselling author Stephen Savage has produced a visual and verbal tour de force that will have kids begging for more. An ILA-CBC Children's Choice! A CBC Children's Choice Book Awards Finalist

Drawing on unpublished documents and oral histories, an illustrated examination of an iconic artwork of an artist who has made a lifework of tactical evasion. One wintry day in 1983, alongside other street sellers in the East Village, David Hammons peddled snowballs of various sizes. He had neatly laid them out in graduated rows and spent the day acting as obliging salesman. He called the evanescent and unannounced street action Bliz-aard Ball Sale, thus inscribing it into a body of work that, from the late 1960s to the present, has used a lexicon of ephemeral actions and self-consciously “black" materials to comment on the nature of the artwork, the art world, and race in America. And although Bliz-aard Ball Sale has been frequently cited and is increasingly influential, it has long been known only through a mix of eyewitness rumors and a handful of photographs. Its details were as elusive as the artist himself; even its exact date was unrecorded. Like so much of the artist's work, it was conceived, it seems, to slip between our fingers—to trouble the grasp of the market, as much as of history and knowability. In this engaging study, Elena Filipovic collects a vast oral history of the ephemeral action, uncovering rare images and documents, and giving us singular insight into an artist who made an art of making himself difficult to find. And through it, she reveals Bliz-aard Ball Sale to be the backbone of a radical artistic oeuvre that transforms such notions as “art,” “commodity,” “performance,” and even “race” into categories that shift and dissolve, much like slowly melting snowballs.