Tenth Anniversary Expanded Edition First released in 2011, Tennessee Landscape with Blighted Pine was the debut poetry collection from Tennessee poet Jesse Graves and was awarded the 2011 Weatherford Award in Poetry from Berea College, the Book of the Year in Poetry Award from the Appalachian Writers’ Association, and the Thomas and Lillie D. Chaffin Award for Appalachian Writing. The poems in Tennessee Landscape with Blighted Pine take part in many of the traditions of lyric poetry, including elegies for lost loved ones, odes to the beauty of family and the natural world, expressed through a range of poetic forms and techniques. The 10th Anniversary Expanded Edition includes twelve new poems and an introduction by Matthew Wimberley. from “Emissaries” Some mornings when I’m reading early, no light yet but the table lamp, my left hand will run through scales along the spine of the open book. My hands keep their own remembrance buried in fine grooves of flesh. The fingers turn over ignitions, faucets, always attuned to their proper force, knuckles never breaking things unless my brain overpowers them. They’ve discovered spectacular terrains, soft enclosures I can never enter again. I send them ahead as scouts for survey, emissaries that flip the lights in every dark hallway of the future.

The poems in The Error of Nostalgia explore the relationships between individuals and their natural and urban environments in the American South and South America. These disparate locations serve as sites where, among other things, humans confront the perils of natural catastrophes, expatriation, urbanization, and crises of identity. "Richard Boada's brilliant and self-torn poems mediate nature and the urbane. Their economies chafe, rousing teargas and vulcanism. They are not nostalgia, but 'lucidities that appear when one goes home, ' 'evidence of who we are.'" --Angela Ball "The poems in Richard Boada's The Error of Nostalgia are quick and tactile, moving through landscapes and histories with the speed of fresh recognition, what Brodsky called the 'accelerated thinking' of poetry." --Jesse Graves author, Tennessee Landscape with Blighted Pine "These poems brim with sonic lushness, with musicality, and with a delicacy that reminds me of James Wright and Louise Glück. However, Boada's poetry is his own: complex, pulsing, curious, and always surprising." --William Wright author, Night Field Anecdote and Bledsoe

The selected works of one of our finest American poets The thread that dangles us between a dark and a darker dark, Is luminous, sure, but smooth sided. Don’t touch it here, and don’t touch it there. Don’t touch it, in fact, anywhere— Let it dangle and hold us hard, let it flash and swing. —from “Scar Tissue” Over the course of his work—more than twenty books in total—Charles Wright has built “one of the truly distinctive bodies of poetry created in the second half of the twentieth century” (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright’s poetry: “language, landscape, and the idea of God.” No matter the precise subject of each poem, on display here is a vast and rich interior life, a mind wrestling with the tenuous relationship between the ways we describe the world and its reality. The recipient of almost every honor in poetry—the Pulitzer Prize, the National Book Award, and the Bollingen Prize, to name a few—and a former poet laureate of the United States, Wright is an essential voice in American letters. Oblivion Banjo is the perfect distillation of his inimitable career—for devout fans and newcomers alike.

"It is time the stone took the trouble to bloom" Paul Celan once wrote, and in Lacy Snapp's visionary poems just about everything does. This is a world of trees, brick, flowers, seed pods, but also ghosts from her past and her family history, and the two define and redefine each other in a way that instill in her-and us-a "cosmic affirmation." Snapp must be considered one of our important new ecological poets who have redefined the scope of ecology as a more encompassing and complex vision of the world, one seen as an "Intricate being made of fire and flight." In lush, flowing lines, she carries us on that flight. I can't think of a more timely poetry for our depleted environment, or for our souls. -Richard Jackson, author of Where The Wind Comes From and Broken Horizons Beyond the elements that bind us to our earthly lives is the ethereal element of time. Whether a reminder of its passing in 15-minute increments from a wormy chestnut clock or in the heartpine measured and dovetailed in the basement for her great-grandmother's coffin, Lacy Snapp's narrative of carpentry shines in her debut chapbook, Shadows on Wood. Each board, each family legend, whorls its own universe: "a cosmic affirmation that I will also continue / to change, evolve as I pull, pull from what's around me... wondering / what future story a two-inch slice of my soul will tell." Snapp gazes into time's grain and rings to see herself more clearly-and invites us to do the same. -Linda Parsons, author of Candescent and This Shaky Earth The images in Lacy Snapp's indelible Shadows on Wood immerse readers into the grains and textures of various woods and the memories and associations they invoke. Such poems as "Heartpine" and "Wormy Chestnut" guide us through the deep lineage of labor as we get to know a young woman who learns woodworking as a centerpiece of her family's legacy. In other poems, like "Becoming a Ghost," we are drawn into the contemporary life of a speaker who moves through the world with her own unseen companions. Lacy Snapp knows shadows and wood the way painters know the delicacy or coarseness of their brush tips. She conveys her perceptions through exquisite detail and piercing emotion- beauty and heartbreak walk hand-in-hand here and their impact will linger long after this book has been read, set aside, and then read again. -Jesse Graves, Author of Tennessee Landscape with Blighted Pine and Merciful Days

Even as a pup, Davy Crockett "always delighted to be in the very thickest of danger." In his own inimitable style, he describes his earliest days in Tennessee, his two marriages, his career as an Indian fighter, his bear hunts, and his electioneering. His reputation as a b'ar hunter (he killed 105 in one season) sent him to Congress, and he was voted in and out as the price of cotton (and his relations with the Jacksonians) rose and fell. In 1834, when this autobiography appeared, Davy Crockett was already a folk hero with an eye on the White House. But a year later he would lose his seat in Congress and turn toward Texas and, ultimately, the Alamo.

Zombies have infested a fallen America. A young girl named Temple is on the run. Haunted by her past and pursued by a killer, Temple is surrounded by death and danger, hoping to be set free. For twenty-five years, civilization has survived in meager enclaves, guarded against a plague of the dead. Temple wanders this blighted landscape, keeping to herself and keeping her demons inside her heart. She can't remember a time before the zombies, but she does remember an old man who took her in and the younger brother she cared for until the tragedy that set her on a personal journey toward redemption. Moving back and forth between the insulated remnants of society and the brutal frontier beyond, Temple must decide where ultimately to make a home and find the salvation she seeks. “Alden Bell provides an astonishing twist on the southern gothic: like Flannery O'Connor with zombies.” —Michael Gruber, New York Times bestselling author of The Book of Air and Shadows

The Poetics of American Song Lyrics is the first collection of academic essays that regards songs as literature and that identifies intersections between the literary histories of poems and songs. The essays by well-known poets and scholars including Pulitzer Prize winner Claudia Emerson, Peter Guralnick, Adam Bradley, David Kirby, Kevin Young, and many others, locate points of synthesis and separation so as to better understand both genres and their crafts. The essayists share a desire to write on lyrics in a way that moves beyond sociological, historical, and autobiographical approaches and explicates songs in relation to poetics. Unique to this volume, the essays focus not on a single genre but on folk, rap, hip hop, country, rock, indie, soul, and blues. The first section of the book provides a variety of perspectives on the poetic history and techniques within songs and poems, and the second section focuses on a few prominent American songwriters such as Bob Dylan, Bruce Springsteen, and Michael Stipe. Through conversational yet in-depth analyses of songs, the essays discuss sonnet forms, dramatic monologues, Modernism, ballads, blues poems, confessionalism, Language poetry, Keatsian odes, unreliable narrators, personas, poetic sequences, rhythm, rhyme, transcription methods, the writing process, and more. While the strategies of explication differ from essay to essay, the nexus of each piece is an unveiling of the poetic history and poetic techniques within songs.