Since virtually all aspects of Hawai'i's cultural, educational, and social life have been affected by the foundation's century of grantmaking activity, the contents of A Century of Philanthropy will be of interest to students of Hawai'i, as well as to students of America's philanthropic history. The author holds that philanthropic decisions are shaped in part by changing social and economic circumstances, and that charitable foundations can and do play a unique and innovative role in society. This approach affords insight into America's singular "culture of philanthropy." The foundation's earliest grants in the 1890s featured educational innovation; in the 1910s and 1920s its grants favored Americanization and Christianization for Hawai'i's heterogeneous population. In more recent decades the foundation's work has included large capital grants to cultural organizations in the 1970s and 1980s, and a renewed emphasis on early education in the 1990s. Over the past one hundred years, the Foundation has evolved from its origins as a special-purpose trust for early childhood education and welfare. A Century of Philanthropy explores the reasons for the evolution and its effect on Hawai'i's history and welfare. The author sees foundations, finally, as agents of social change as well as social conservatism. The revised edition analyzes the development of the foundation in the 1990s and the early years of the twenty-first century. Special attention is paid to changing trends in national philanthropy and the foundation's renewed vigor in support for and advocacy of early education and care in Hawai'i.

Youth and Theatre of the Oppressed investigates a performance strategy which aims to develop possible alternatives to oppressive forces in individual s lives. Eminent contributors offer diverse perspectives on the theories and practices within Theatre of the Oppressed, especially as it relates to young people. This book shares TO s goal of engaging the collective to create generative conversations among readers which look deeply into the issues of community through theatre - whether in India or Indiana - and to work with young people to name their world, untangle the knot of oppressions, and to develop with them possible action plans for their own futures.

Hawaii Nei brings together three plays by one of Hawaii's finest playwrights. A compassionate portrait of early nineteenth- century Hawaii, "The Conversion of Kaahumanu" charts the lives of five women during the traumatic, transforming events that followed Western contact. Set in post-World War II Hawaii, "Emmalehua" tells the story of a young Hawaiian woman struggling to preserve a cherished cultural heritage in a world eager to forget the past and embrace the new American dream. Through history, humor, and a whodunnit plot, the past and present collide in "Ola Na Iwi," which explores the issues surrounding the treatment of indigenous human remains.