The finest history of pottery available, this book offers an inspirational journey through one of the oldest and most widespread of human activities.

Civilizations takes the reader forward from the earliest days of human settlement to the civilizations of the New World overthrown by the Spanish Conquistadors.

The Potter's Book of Glaze Recipes is a must for potters and ceramicists of all abilities interested in creating their own glazes.

An incomparable look at how Chinese artists have used mass production to assemble exquisite objects from standardized parts Chinese workers in the third century BC created seven thousand life-sized terracotta soldiers to guard the tomb of the First Emperor. In the eleventh century AD, Chinese builders constructed a pagoda from as many as thirty thousand separately carved wooden pieces. As these examples show, throughout history, Chinese artisans have produced works of art in astonishing quantities, and have done so without sacrificing quality, affordability, or speed of manufacture. In this book, Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. He reveals how these systems have deep roots in Chinese thought and reflect characteristically Chinese modes of social organization. Combining invaluable aesthetic and cultural insights with a rich variety of illustrations, Ten Thousand Things make a profound statement about Chinese art and society.

The Laboratory of Anthropology, the Museum of New Mexico's anthropological research unit, presents selections from its famed Southwest Indian art and artifacts collection. Essays by noted scholars in the field illuminate the change and continuity over two thousand years of Native American basketry, textiles, pottery, and jewelry, while developing the connections between prehistoric, historic, and contemporary trends and traditions.

More than any other category of evidence, ceramics ofters archaeologists their most abundant and potentially enlightening source of information on the past. Being made primarily of day, a relatively inexpensive material that is available in every region, ceramics became essential in virtually every society in the world during the past ten thousand years. The straightfor ward technology of preparing, forming, and firing day into hard, durable shapes has meant that societies at various levels of complexity have come to rely on it for a wide variety of tasks. Ceramic vessels quickly became essential for many household and productive tasks. Food preparation, cooking, and storage-the very basis of settled village life-could not exist as we know them without the use of ceramic vessels. Often these vessels broke into pieces, but the virtually indestructible quality of the ceramic material itself meant that these pieces would be preserved for centuries, waiting to be recovered by modem archaeologists. The ability to create ceramic material with diverse physical properties, to form vessels into so many different shapes, and to decorate them in limitless manners, led to their use in far more than utilitarian contexts. Some vessels were especially made to be used in trade, manufacturing activities, or rituals, while ceramic material was also used to make other items such as figurines, models, and architectural ornaments.