This classic of cowboy lore including illustrations by cowboy artist William Moyers, first published in 1976, is now available only from the University of New Mexico Press. "A beautiful job, exact, comprehensive and witty. Should remain a basic history of the subject for many years to come."--Edward Abbey

David Brower, who has always regretted the Sierra Club's failure to save the Glen Canyon, called it The Place No One Knew. But Katie Lee was among a handful of men and women who knew the 170 miles of Glen Canyon very well. She'd made sixteen trips down the river, even named some of the side canyons. Glen Canyon and the river that ran through it had changed her life. Her descriptions of a magnificent desert oasis and its rich archaeological ruins are a paean to paradise lost.In 1963, the U.S. Government's Bureau of Reclamation (the Wreck-the-nation bureau, Katie calls it) shut off the flow of the Colorado River at Glen Canyon Dam, beginning the process of flooding this natural treasure. Two generations have been born since the dam was built, and in a few more decades there may be no one alive who will have known the place. Katie Lee won't forget Glen Canyon, and she doesn't want anyone else to forget it either. She tells us what there was to love about Glen Canyon and why we should miss it. The canyon had great personal significance for her: She had gone to Hollywood to make her career as an actress and a singer, but the river kept calling her back, showing her a better way to live. She very eloquently weaves her personal story into her breathtaking descriptions of the trips she made down the canyon.In recent years, Katie has found allies in her struggle to restore the canyon. The Glen Canyon Institute has been joined by the Sierra Club in calling for the draining of Lake Powell (Rez Foul, in Katie's words), and the idea is being debated on editorial pages across the country and in congressional hearings. All My Rivers Are Gone celebrates a great American landscape, mournsits loss, and challenges us to undo the damage and forever prevent such mindless destruction in the future.

Updated and revised (first edition, 1977) history of the women of the West, telling of their contributions and describing how they broke convention by ranching, trail-driving, and rodeoing. Extensive bibliography. Annotation copyrighted by Book News, Inc., Portland, OR

"Sandstone Seduction", Katie Lee's Arizona memoir, limns her love affair with the Southwest, where she grew up in the 1940s.

"One of the finest works to come out in recent years on cowboy songs, in addition to being the first good collection of the cowboy's bawdy material. . . . A must for anyone who is a student of cowboy music--or anyone who just likes the sound of dirty subject matter rhyming." -- Hal Cannon, Journal of Country Music "A brave and honest step toward increasing our understanding of what cowboys really sing." -- Bob Bovee, Old Time Herald "A thorough piece of scholarship and collectanea and a valuable, welcome addition to cowboy song literature." -- Keith Cunningham, Mid-America Folklore "Logsdon has written the book with a scholar's attention to detail. But what shows through the scholarship is the collector's enthusiasm for the material. . . . A superb job in a difficult area." -- Angus Kress Gillespie, Journal of American History "A major contribution to the folklore and popular culture, history, and social psychology of American cowboy culture." -- Kenneth S. Goldstein, former president, American Folklore Society

Letting ordinary people speak for themselves, this book uses primary documents to highlight daily life among Americans—Union and Confederate, black and white, soldier and civilian—during the Civil War and Reconstruction. Focusing on routines as basic as going to school and cooking and cleaning, Voices of Civil War America: Contemporary Accounts of Daily Life explores the lives of ordinary Americans during one of the nation's most tumultuous eras. The book emphasizes the ordinary rather than the momentous to help students achieve a true understanding of mid-19th-century American culture and society. Recognizing that there is no better way to learn history than to allow those who lived it to speak for themselves, the authors utilize primary documents to depict various aspects of daily life, including politics, the military, economics, domestic life, material culture, religion, intellectual life, and leisure. Each of the documents is augmented by an introduction and aftermath, as well as lists of topics to consider and questions to ask.