Recommended by the National Library Board, Singapore and Ministry of Communications and Information A woman learns of a friend’s illness and wonders if she ever truly knew him. A boy who sees ghosts heeds the advice of a fortune-teller, with surprising consequences. A girl wakes up and realises everybody in her Bedok neighbourhood has vanished. From Cyril Wong, award-winning author of The Last Lesson of Mrs de Souza, comes another beautiful book about characters in crisis, with two stories crossing intriguingly into creative autobiography.

A couple's cat leaves offerings of dead birds freighted with mysterious import. A foreign worker helps construct a concert hall that reawakens his musical longings. A young diver hunts venomous cone snails for a lovelorn researcher. With disarming simplicity, Barrie Sherwood charts how the complex bonds between lovers are unravelled to the point of breaking, and the often strange and touching ways we define ourselves and our relationships in a fluctuating world.

The Epigram Books Collection of Best New Singaporean Short Stories: Volume Three gathers the finest Singaporean stories published in 2015 and 2016, selected by guest editor Cyril Wong from hundreds published in journals, magazines, anthologies and single-author collections. Accompanying the stories are the editor’s preface and an extensive list of honourable mentions for further reading. This volume features short story contributions from Eva Aldea, Joelyn Alexandra, Jennifer Anne Champion, Andrew Cheah, Clara Chow, Noelle Q. de Jesus, Melissa De Silva, SC Gordon, Jon Gresham, Philip Holden, Amanda Lee Koe, Su Leong, Leonora Liow, Manish Melwani, Sam Ng, Nuraliah Norasid, O Thiam Chin, Jollin Tan, Verena Tay, Jason Wee, Daryl Qilin Yam, Yeo Wei Wei, Yeoh Jo-Ann, Yeow Kai Chai, Ovidia Yu, and Andrew Yuen.

The Epigram Books Collection of Best New Singaporean Short Stories: Volume Two gathers twenty-four of the finest stories from Singaporean writers published in 2013 and 2014, selected from hundreds published in journals, magazines, anthologies and single-author collections. These pieces examine life in Singapore, as well as beyond its borders to Toronto, California, Shanghai, Andhra Pradesh, Pyongchon and Paris, as well as to the distant past and the far future. Accompanying the stories are the editor’s introduction and an extensive list of honourable mentions for further reading.

This book examines the dynamic landscape of creative educations in Asia, exploring the intersection of post-coloniality, translation, and creative educations in one of the world’s most relevant testing grounds for STEM versus STEAM educational debates. Several essays attend to one of today’s most pressing issues in Creative Writing education, and education generally: the convergence of the former educational revolution of Creative Writing in the anglophone world with a defining aspect of the 21st-century—the shift from monolingual to multilingual writers and learners. The essays look at examples from across Asia with specific experience from India, Singapore, China, Hong Kong, the Philippines and Taiwan. Each of the 14 writer-professor contributors has taught Creative Writing substantially in Asia, often creating and directing the first university Creative Writing programs there. This book will be of interest to anyone following global trends within creative writing and those with an interest in education and multilingualism in Asia.

Since the nation-state sprang into being in 1965, Singapore literature in English has blossomed energetically, and yet there have been few books focusing on contextualizing and analyzing Singapore literature despite the increasing international attention garnered by Singaporean writers. This volume brings Anglophone Singapore literature to a wider global audience for the first time, embedding it more closely within literary developments worldwide. Drawing upon postcolonial studies, Singapore studies, and critical discussions in transnationalism and globalization, essays unearth and introduce neglected writers, cast new light on established writers, and examine texts in relation to their specific Singaporean local-historical contexts while also engaging with contemporary issues in Singapore society. Singaporean writers are producing work informed by debates and trends in queer studies, feminism, multiculturalism and social justice -- work which urgently calls for scholarly engagement. This groundbreaking collection of essays aims to set new directions for further scholarship in this exciting and various body of writing from a place that, despite being just a small ‘red dot’ on the global map, has much to say to scholars and students worldwide interested in issues of nationalism, diaspora, cosmopolitanism, neoliberalism, immigration, urban space, as well as literary form and content. This book brings Singapore literature and literary criticism into greater global legibility and charts pathways for future developments.