This file will tell you everything you want to know about young children learning mathematics. Starting Out explores the steps involved in learning the counting numbers, the subtleties of more and less and difference, and how pattern-making sets the basis for an understanding of algebra.

There was much more to John Wayne than can be seen on the silver screen, and this biography, written by three personal friends of his, candidly reveals the real man behind the legend. 16-page photo insert.

What makes band saw boxes so wonderful? They don’t require a shop full of expensive tools, they have unlimited design potential, and they’re easy to make. For years, woodworker Donna Menke has researched every aspect of the process, accumulating a wealth of knowledge about band-saw use, safety precautions, construction, and finishing techniques. Here, she passes on those ideas and skills, explaining all the basics of selecting and handling the wood, cutting, sanding, fitting edges, gluing, making repairs, and giving the box a gorgeous surface treatment, such as carving or inlay. The breathtaking projects begin with an easy, no-fail Bangle Box, and include a mahogany Star Box, a Man in the Moon box with a segmented lid, and many others. A Selection of the F & W Book Club.

During the Manchu conquest of China (1640s–1680s), the Qing government mandated that male subjects shave their hair following the Manchu style. It was a directive that brought the physical body front and center as the locus of authority and control. Feeling the Past in Seventeenth-Century China highlights the central role played by the body in writers’ memories of lived experiences during the Ming–Qing cataclysm. For traditional Chinese men of letters, the body was an anchor of sensory perceptions and emotions. Sight, sound, taste, and touch configured ordinary experiences next to traumatic events, unveiling how writers participated in an actual and imagined community of like-minded literary men. In literature from this period, the body symbolizes the process by which individual memories transform into historical knowledge that can be transmitted across generations. The ailing body interprets the Manchu presence as an epidemic to which Chinese civilization is not immune. The bleeding body, cast as an aesthetic figure, helps succeeding generations internalize knowledge inherited from survivors of dynastic conquest as a way of locating themselves in collective remembrance. This embodied experience of the past reveals literature’s mission of remembrance as, first and foremost, a moral endeavor in which literary men serve as architects of cultural continuity.