The National Book Award–winning novel by the writer whom Fran Lebowitz called “the real F. Scott Fitzgerald” Joe Chapin led a storybook life. A successful small-town lawyer with a beautiful wife, two over-achieving children, and aspirations to be president, he seemed to have it all. But as his daughter looks back on his life, a different man emerges: one in conflict with his ambitious and shrewish wife, terrified that the misdeeds of his children will dash his political dreams, and in love with a model half his age. With black wit and penetrating insight, Ten North Frederick stands with Richard Yates’ Revolutionary Road, Evan S. Connell’s Mr. Bridge and Mrs. Bridge, the stories of John Cheever, and Mad Men as a brilliant portrait of the personal and political hypocrisy of mid-century America. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The National Book Award–winning novel by the writer whom Fran Lebowitz called “the real F. Scott Fitzgerald” Joe Chapin led a storybook life. A successful small-town lawyer with a beautiful wife, two over-achieving children, and aspirations to be president, he seemed to have it all. But as his daughter looks back on his life, a different man emerges: one in conflict with his ambitious and shrewish wife, terrified that the misdeeds of his children will dash his political dreams, and in love with a model half his age. With black wit and penetrating insight, Ten North Frederick stands with Richard Yates’ Revolutionary Road, Evan S. Connell’s Mr. Bridge and Mrs. Bridge, the stories of John Cheever, and Mad Men as a brilliant portrait of the personal and political hypocrisy of mid-century America. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

At her father's funeral, Ann Chapin thinks back over the last five years of his life in Gibbsville, Pennsylvania - years of political and personal failure dominated by a selfish and dissatisfied wife and eased only by alcohol.

Narrative of the Life of Frederick Douglass, an American Slave Frederick Douglass wrote in 1845. It’s an autobiographic story about slavery and freedom, constant aim to run away from the owner and at last become a free man. One failure follows another one. But in the end the fortune favours Douglass and he runs away on a train to the north, New-York. It would seem he is free now. Suddenly, he realises that his journey isn’t finished yet. He understands that even after he got free he can’t be at real liberty until the slavery is abolished in the USA…

Collected for the first time, the New York stories of John O'Hara, "among the greatest short story writers in English, or in any other language" (Brendan Gill, Here at The New Yorker) Collected for the first time, here are the New York stories of one of the twentieth century’s definitive chroniclers of the city—the speakeasies and highballs, social climbers and cinema stars, mistresses and powerbrokers, unsparingly observed by a popular American master of realism. Spanning his four-decade career, these more than thirty refreshingly frank, sparely written stories are among John O’Hara’s finest work, exploring the materialist aspirations and sexual exploits of flawed, prodigally human characters and showcasing the snappy dialogue, telling details and ironic narrative twists that made him the most-published short story writer in the history of the New Yorker. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

On the sound stage and the casting couch, behind the facades of Spanish style mansions and inside studio trailers, at costumes and makeup, in posh nightclubs and in backrooms filled with cigar smoke, here are the ruthless producers, over-the-hill directors, disillusioned writers, glamorously callous actresses, desperate and hungry starlets, and matinee idols with dark secrets as they are unsparingly observed by one of America's most popular masters of realism. Best known for the now-classic 1934 novel Appointment in Samarra and such blockbuster bestsellers as Ten North Frederick and Butterfield 8, in a career spanning four decades John O'Hara also published numerous story collections. Among his finest work, they highlight qualities that sold more than 15 million copies of his books in the course of his career: the snappy dialogue, the telling detail, the ironic narrative twist. Like the novels, and like the much-praised collection of John O'Hara's Gibbsville stories, also edited by Matthew J. Bruccoli, the selections in John O'Hara's Hollywood, many originally appearing in the New Yorker or the Saturday Evening Post, explore the materialist aspirations and sexual exploits of flawed, prodigally human characters for whom arrangements consitute a deal and compromises pass for love.

'O'Hara is the only American writer to whom America presents itself as a social scene in the way it once presented itself to Henry James, or France to Proust' The New York Times When the beautiful, imperious and moneyed Grace Caldwell Tate wants something she goes after it, men included. Her affair scandalises Pennsylvania's elite and she must face the costs to her marriage and the man she really loves. A bestseller on publication in 1949, A Rage to Live is a candid tale of idealists and libertines, tradesmen and crusaders, men of violence and goodwill, and women of fierce strength and tenderness.