The poems in this collection will give the reader an appreciation of both the distinctiveness and the variety of the medieval English Arthurian tradition and highlight some of this important chapter in Arthurian legend literature. The Middle English stories are different in style and structure to the later French romances, composed in poetic forms that derive from native English traditions. The Stanzaic Morte Arthur is the earliest version of the Lancelot-Guinevere story in English; The Awyntas off Arthure at the Terne Wathelyn is a serious moral poem while the story of the Avowing is a tail-rhyme romance. The Wedding of Sir Gawain and Dame Ragnell is a strongly folkloric variation of Chaucer’s Wife of Bath’s Tale and Syre Gawene and the Carle of Carlyle is an alternative version of the testing of Gawain. Originally published in 1991, the translator gives an introduction to each poem as well as a general introduction about the development of the Arthurian poetic tradition.

Gawain: A Casebook is a collection of 12-15 classic and original essays on the hero of Arthurian legend that investigates the figure of Gawain as he appears in major medieval traditions, as well as modern literature and film. As with other volumes in the Arthurian Characters and Themes series, this casebook includes an extended introduction examining the character's evolution from the earliest tales to his most recent appearances in popular culture, as well as an extensive annotated bibliography. Students, scholars, and anyone interested in medieval legend will find a wealth of insight into the mystery of this most poignant and perplexing of Arthurian heroes.

The computer revolution is upon us. The future of books and of reading are debated. Will there be books in the next millennium? Will we still be reading? As uncertain as the answers to these questions might be, as clear is the message about the value of the book expressed by medieval writers. The contributors to the volume The Book and the Magic of Reading in the Middle Ages explore the significance of the written document as the key icon of a whole era. Both philosophers and artists, both poets and clerics wholeheartedly subscribed to the notion that reading and writing represented essential epistemological tools for spiritual, political, religious, and philosophical quests. To gain a deeper understanding of the cultural significance of the medieval book, the contributors to this volume examine pertinent statements by medieval philosophers and French, German, English, Spanish, and Italian poets.

"Late medieval English Arthurian romance has broad cultural ambitions, offering a fantasy of insular union as an "imagined cimmunity" of British sovereignty. the Arthurian lageneds provided a means to explore England's historical indebtedness to and intimacies with Celtic culture, allowing nobles to repudiate their dynastic ties to France and claim themselves heirs to an insular heritage".

In this book, Marijane Osborn translates into modern English nine lively medieval verse romances, in a form that both reflects the original and makes the romances inviting to a modern audience. All nine tales contain elements of magic: shapeshifters, powerful fairies, trees that are portals to another world, and enchanted clothing and armor. Many of the tales also feature powerful women characters, while others include representations of “Saracens.” The tales address issues of enduring interest and concern, and also address sexuality, agency, and identity formation in unexpected ways.

The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.