Ibrahim al-Mazini was one of the great humorists and stylists of twentieth-century Arabic prose literature. Like an Egyptian James Thurber, he captured the foibles and triumphs of Cairo's middle classes of the 1930s and 1940s in exceptionally stylish prose. This collection gathers in one volume some of al-Mazini's best short fiction, including two novellas: Midu and His Accomplices and Ten Again. Midu is an engaging, well-liked army officer who--assisted by almost every other character in the story--arranges a faux heist from his uncle's library in order to allow young love to run its course. In Ten Again, a man awakes to find that he has returned to childhood, on the day of his tenth birthday: his wife, who is being wooed by a most obnoxious suitor, is now his mother, and his two sons torment him mercilessly at his birthday party. In al-Mazini's skillful hands, the short stories included here illuminate a lively fictional world: from a drunken encounter with a parrot to an undertaker's attempt to provide a cadaver with a believer's contented smile. An unmarried woman dreams of her unborn daughter, who is impatient to be born; and a reclusive author who has chosen to disappear from Cairo's literary scene is tracked down--to his obvious disgust--by an intrepid researcher. Rich in insight, imagination, and humor, these stories are a splendid introduction to a major figure in the early generation of Egyptian writers.

Ibrahim al-Mazini was one of the great humorists and stylists of twentieth-century Arabic prose literature. Like an Egyptian James Thurber, he captured the foibles and triumphs of Cairo's middle classes of the 1930s and 1940s in exceptionally stylish prose. This collection gathers in one volume some of al-Mazini's best short fiction, including two novellas: Midu and His Accomplices and Ten Again. Midu is an engaging, well-liked army officer who assisted by almost every other character in the story arranges a faux heist from his uncle's library in order to allow young love to run its course. In Ten Again, a man awakes to find that he has returned to childhood, on the day of his tenth birthday: his wife, who is being wooed by a most obnoxious suitor, is now his mother, and his two sons torment him mercilessly at his birthday party. In al-Mazini's skillful hands, the short stories included here illuminate a lively fictional world: from a drunken encounter with a parrot to an undertaker's attempt to provide a cadaver with a believer's contented smile. An unmarried woman dreams of her unborn daughter, who is impatient to be born; and a reclusive author who has chosen to disappear from Cairo's literary scene is tracked down to his obvious disgust by an intrepid researcher. Rich in insight, imagination, and humor, these stories are a splendid introduction to a major figure in the early generation of Egyptian writers.

The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned. Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. In these classic tales that span more than five decades—including the first story he ever published, “The Trail of the Apache”—Elmore Leonard once again demonstrates the superb talent for language and gripping narrative that have made him one of the most acclaimed and influential writers of our time.

Includes a reading group guide with discussion questions.

Reproduction of the original.

The Book of Ten Nights and a Night offers both a keen introduction to the genius of John Barth and a deeply human argument for the enduring value of literature. Gathering stories written throughout this postmodern master's long career, the collection spans his entire range of styles, from straightforward narrative to experimental metafiction. In the time immediately following September 11, 2001, the veteran writer Graybard spends eleven nights with a nubile muse named WYSIWYG (What You See Is What You Get). The two lovers debate the meaning and relevance of writing and storytelling in the wake of disaster, telling a new tale each night in the tradition of Scheherazade. The Book of Ten Nights and a Night exhibits the thrilling blend of playfulness and illuminating insight that have marked Barth as one of America's most distinguished writers.