Working for an organization policing the supernatural races, Riley Jenson--half werewolf, half vampire--is given the task of infiltrating the heavily guarded pleasure palace of Deshon Star, a criminal mastermind who has been experimenting with genetics for decades.

In Melbourne’s urban underworld, there’s a nightclub for every fantasy and desire. But for Riley Jenson, one such club has become an obsession. Riley, a rare hybrid of vampire and werewolf, hasn’t come in pursuit of pleasure but of an unknown killer who’s been using the steamy nightspot as his hunting grounds. Leave it to Riley to find the only ticket into the heavily guarded club: Jin, a deliciously hot-bodied bartender who might just provide the key to unmasking a killer unlike any other in the Directorate’s experience. Taunted by a former colleague turned rogue, distracted by an ex-lover’s attentions, Riley follows Jin into a realm of pleasure she could never have imagined. And as danger and passion ignite, a shocking mystery begins to unravel—one where Riley herself becomes the ultimate object of desire....

BONUS: This edition contains an excerpt from Keri Arthur's Bound to Shadows. Seduction that kills. Pleasure to die for. She just can’t resist . . . Guardian Riley Jenson always seems to face the worst villains. And this time’s no different. For it’s no ordinary sorceress who can raise the dead to do her killing. But that’ s exactly what Riley expects to find at the end of a trail of female corpses used—and discarded—in a bizarre ritual of evil. With pressure mounting to catch one fiend, another series of brutal slayings shocks the vampire world of her lover, Quinn. So the last thing Riley needs is the heat of the upcoming full moon bringing her werewolf hormones to a boil—or the reappearance of a sexy bounty hunter, the rogue wolf Kye Murphy. Riley has threatened Murphy with arrest if he doesn’t back off the investigation, but it’s Riley who feels handcuffed by Kye’s lupine charm. Torn between her vamp and wolf natures, between her love for Quinn and her hots for Kye, Riley knows she’ s courting danger and indulging the deadliest desires. For her hunt through the supernatural underworld will bring her face-to-face with what lurks in a darkness where even monsters fear to tread.

"At a time when each Society had its own medium of propogation of its researches ... in the form of Transactions, Proceedings, Journals, etc., a need was strongly felt for bringing out a journal devoted exclusively to the study and advancement of Indian culture in all its aspects. [This] encouraged Jas Burgess to launch the 'Indian antiquary' in 1872. The scope ... was in his own words 'as wide as possible' incorporating manners and customs, arts, mythology, feasts, festivals and rites, antiquities and the history of India ... Another laudable aim was to present the readers abstracts of the most recent researches of scholars in India and the West ... 'Indian antiquary' also dealt with local legends, folklore, proverbs, etc. In short 'Indian antiquary' was ...entirely devoted to the study of MAN - the Indian - in all spheres ... " -- introduction to facsimile volumes, published 1985.

In Making Love: Sentiment and Sexuality in Eighteenth-Century British Literature, Paul Kelleher revises the history of sexuality from the vantage point of the literary history of sentimentalism. Kelleher demonstrates how eighteenth-century British philosophers, essayists, and novelists fundamentally reconceived the relations among sentiment, sexuality, and moral virtue. It is his contention that sentimental discourse, both philosophical and literary, posited heterosexual desire as the precondition of moral feeling and conduct. The author further suggests that sentimental writers fashioned the ideal of conjugal love as an ideological antidote to the theories of self-love and self-interest found in the works of Thomas Hobbes and Bernard Mandeville. Heterosexual desire and its culmination in conjugal love, in other words, were represented as the privileged means for an individual to transcend self-love and to develop a moral sensibility attuned to the thoughts and feelings of others. At the same time, Kelleher suggests, other pleasures and desires—particularly those rooted in same-sex eroticism—were increasingly depicted as antithetical to conjugal love and, thus, were morally devalued and socially disenfranchised. Kelleher's argument unfolds through close readings of a variety of texts, including Shaftesbury’s Characteristics of Men, Manners, Opinions, Times, Joseph Addison and Richard Steele’s the Tatler and the Spectator, Eliza Haywood’s Love in Excess, Samuel Richardson’s Pamela, and Henry Fielding’s Tom Jones. Although these texts embody diverse rhetorical strategies and thematic concerns, he shows how they collectively reinforce an overarching sentimental ideology: on the one hand, heterosexual desire and conjugal love become synonymous with sympathy, benevolence, and moral goodness, while on the other hand, same-sex desire is pathologized as a selfish withdrawal from procreation, domesticity, sociability, and ultimately, “humanity” itself.

Desire calls. Danger Lurks. But... When Destiny McCree wakes up beside a dead man on an Oregon beach, she knows only this: she has to keep moving, keep searching, and keep one step ahead of the forces that have been pursuing her from the heart of Scotland to this isolated spot. Why? The death of her lover has left her alone, with little memory of her past. A glimmering serpent-shaped ring is the one clue she has—and a bargaining chip in a most dangerous game. Enter Trae Wilson, a master thief with a sexy, knowing grin and a secret agenda of his own. Destiny and Trae both have powers far beyond the human—and both are running for their lives. Together they’re riding a tide of danger, magic, and lust…but with killers stalking their every move, they must use any means necessary, even each other, to survive—until the shocking secret of one woman’s destiny finally unravels.…