Attempts To Bridge The Gap Between Art History And Religion History By Placing Some Of The Greatest Monumnets Of Tamil Nadu Within An Appropriate Religion And Ritualistic Context. Richly Illustrated-Has Introduction And Comes Kanchipuram, Thiruvannamalai, Chidambaram, Srirangam And Madurai.

This volume examines the multifarious dimensions that constitute the workings of the Hindu temple as an architectural and urban built form. Eleven chapters reflect on Hindu temples from multiple standpoints - tracing their elusive evolution from wayside shrines as well as canonization into classical objects; questioning the role of treatises containing their building rules; analyzing their prescribed proportions and orders; examining their presence in, and as, larger sacred habitats and ritua...

Most people view cultural heritage sites as static places, frozen in time. In Cultural Landscapes in India, Amita Sinha subverts the idea of heritage as static and examines the ways that landscapes influence culture and that culture influences landscapes. The book centers around imagining, enacting, and reclaiming landscapes as subjects and settings of living cultural heritage. Drawing on case studies from different regions of India, Sinha offers new interpretations of links between land and culture using different ways of seeing—transcendental, romantic, and utilitarian. The idea of cultural landscape can be seen in ancient practices such as circumambulation and immersion in bodies of water that sustain engagement with natural elements. Pilgrim towns, medieval forts, religious sites, and contemporary memorial parks are sites of memory where myth and history converge. Engaging with these spaces allows us to reconstruct collective memory and reclaim not only historic landscapes, but ways of seeing, making, and remembering. Cultural Landscapes in India makes the case for reclaiming iconic landscapes and rethinking conventional approaches to conservation that take into consideration performative landscape as heritage.

Frank Lloyd Wright, a famous American Architect wrote "Architecture is that great living creative spirit which from generation to generation, from age to age, proceeds, persists, creates, according to the nature of man, and his circumstances as they change. That is really architecture. As one of the oldest civilisations in existence, our nation proudly flaunts its wonderful temples and historic monuments. It is matter of great pride that our country houses architectural marvels from centuries ago. Basically temples can be considered as a contact between man and God. The msot wonderful part is that the rituals and ceremonies performed carried in the temples can be scientifically related to the temple architecture. Its amazing that even centuries ago our architecture was so much developed. Temples built thousands of year ago have a design based on sacred geometric diagrams (Mandala) -- symbolized as a miniscule image of the universe with its coordinated organized structure Tamil Nadu is well known for its magnificient temples and is populary known as 'land of temples' for its grand temples that are architectural masterpieces. With 30,000 plus temples constructed by rulers of different dynasties over the years temples of state of Tamil Nadu are standing testimony to the rich Dravidian art and culture with each one showcasing a distinctive wonderful style, built by Chola, Pallava, Nayak, Pandya and Vijaynagar rulers, who were great patrons of art and architecture.

This book offers fresh theoretical, methodological and empirical analyses of the relation between religion and the city in the South Asian context. Uniting the historical with the contemporary by looking at the medieval and early modern links between religious faith and urban settlement, the book brings together a series of focused studies of the mixed and multiple practices and spatial negotiations of religion in the South Asian city. It looks at the various ways in which contemporary religious practice affects urban everyday life, commerce, craft, infrastructure, cultural forms, art, music and architecture. Chapters draw upon original empirical study and research to analyze the foundational, structural, material and cultural connections between religious practice and urban formations or flows. The book argues that Indian cities are not ‘postsecular’ in the sense that the term is currently used in the modern West, but that there has been, rather, a deep, even foundational link between religion and urbanism, producing different versions of urban modernity. Questions of caste, gender, community, intersectional entanglements, physical proximity, private or public ritual, processions and prayer, economic and political factors, material objects, and changes in the built environment, are all taken into consideration, and the book offers an interdisciplinary analysis of different historical periods, different cities, and different types of religious practice. Filling a gap in the literature by discussing a diversity of settings and faiths, the book will be of interest to scholars to South Asian history, sociology, literary analysis, urban studies and cultural studies.

Provides over 1,000 accessible, informative and authoritative entries that answer any major question about Hinduism, it's mythology, practices, customs and laws India is so vast that each of its regions is a land in its own right, with diverse languages, customs, and cultural traditions. Yet shared social systems, firmly grounded in religious beliefs, provide the cohesive force that unites over a billion people of different backgrounds. Hinduism is the main religion of India, and this new dictionary provides an unrivaled insight to all aspects of Hindu life, past and present. Some thousand illustrated entries elucidate the history of Hinduism, its mythology, art, architecture, religion, laws, and folklore. The development of Hinduism is presented from its ancient manifestations in local cults and epic poems to modern-day festivals and customs worldwide. The complex relationship between the multitude of gods, goddesses, and semi-divine beings is brought to light in the articles on religion and mythology, while its rich imagery is revealed in the entries on architecture, sculpture, painting, dance, and theater, including works of art illustrated here for the first time. Food and etiquette, the caste system, Ayurvedic medicine, love and marriage, and contemporary practices are just a few of the topics explored. Maps and entries on the major cities and places of pilgrimage in India, as well as a concise chronology and a list of principal dynasties, provide a clear overview of the geography, history, languages, and vibrant religious and cultural traditions of Hinduism. This volume will serve as a lively and indispensable guide for those preparing a visit to India, for Indians living in the West, for students, or for anyone interested in the subcontinent. 275 b/w illustrations.

“A book that will change your imagination.” - Murali Sunderarajan, mywritingworld.com “This book explains the practical implication of ethics, moral reasoning, and how people get trapped in a cognitive tunnel.” - Chandrasekar Chatterjee, former professor at Paris Univesity “He who can no longer pause to wonder and stand in awe is as good as dead; his eyes are closed.” These words of Albert Einstein sound true of most of us. Most of us are alive but are as good as dead. Jonathan is not. His guru, the old man is not,. Jonathan’s Journey is all about pausing to wonder about this enigmatic and ever elusive universe. While science has answers, Jonathan has more and more questions. The answers he gets from his guru and his own research leaves him spellbound.