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Two kids in their early twenties walk down the Bowery on a spring afternoon, just as the proprietor of a club hangs an awning with the new name for his venue. The place will be called CBGB & OMFUG which, he tells them, stands for “Country Bluegrass and Blues & Other Music for Uplifting Gormandizers.” That's exactly the sort of stuff they play, they lie, somehow managing to get a gig out of him. After the first show their band, Television, lands a regular string of Sundays. By the end of the year a scene has developed that includes Tom Verlaine's new love interest, a poet-turned rock chanteuse named Patti Smith. American punk rock is born. Bryan Waterman peels back the layers of this origin myth and, assembling a rich historical archive, situates Marquee Moon in a broader cultural history of SoHo and the East Village. As Waterman traces the downtown scene's influences, public image, and reputation via a range of print, film, and audio recordings we come to recognize the real historical surprises that the documentary evidence still has to yield and come to a new appreciation of this quintessential album of the New York City night.

Where do program ideas come from? How are concepts developed into saleable productions? Who do you talk to about getting a show produced? How do you schedule shows on the lineup? What do you do if a series is in trouble? The answers to these questions, and many more, can be found in this comprehensive, in-depth look at the roles and responsibilities of the electronic media programmer. Topics include: Network relationships with affiliates, the expanded market of syndication, sources of programming for stations and networks, research and its role in programming decisions, fundamental appeals to an audience and what qualities are tied to success, outside forces that influence programming, strategies for launching new programs or saving old ones. Includes real-life examples taken from the authors' experiences, and 250+ illustrations!

Harry Nilsson was The Beatles' favourite recording artist but terrified of performing live. Consequently, only a tiny minority of the hundreds of fans and musicians who contributed memories to this collection of stories ever saw him play in front of any kind of audience. But it's the songs - "there's nothing like them" according to Jimmy Webb - and his vocal style - "the supreme singer of any generation" says producer Richard Perry - that keep the love of Harry Nilsson lingering so long after his death aged just 52 in 1994. These very personal reflections by Harry on his career have been transcribed and added to the book and effectively make it Harry & Me... & Harry. Illustrated with rare and personal photos and memorabilia from the fans, Harry & Me is a beautifully designed treasure trove of the memories of a unique character who left an unforgettable legacy of some of the most life-affecting songs ever recorded.

After London gangster Mad Tony Cook gives aging thugs Big Jim and Kenny Rogan the task of collecting a briefcase from the courier, Half-Pint Harry, he doesn’t suspect that Harry will end up dead in his lock-up. Dressing up in drag to rob a jeweller's shop, Kenny and Big Jim lose the coveted briefcase. A wild, hilarious search for the missing goods soon ensues... with fatal consequences. A foul-mouthed, violently comic crime caper, Paul D. Brazill's THE LAST GANG IN TOWN is full of gaudy characters and dialogue sharp enough to shave with.

"What corporations fear most are consumers who ask questions. Naomi Klein offers us the arguments with which to take on the superbrands." Billy Bragg from the bookjacket.